Diane says: “Chinatown crime caper LUCKY GRANDMA features 85-year-old actress Tsai Chin playing a gruff, stubborn widow whose trip to the casino lands her in hot water. Chin (JOY LUCK CLUB) deserves an acting nom, playing all of five years
Chris says: “In Oslo, an artist contacts a man convicted of stealing her painting from a gallery; from there, an unlikely, slow-building friendship develops between these two very different souls. As it makes unexpected leaps backwards and forwards in time,
Chris says: “The rare film with a twist where its revelation doesn’t occur all at once, but gradually and not as a trigger for understanding what drives the narrative. This would seem annoying if not for the playfulness Rozema occasionally
Chris says: “Based on the life of its lead actor (Jimmie Fails), Joe Talbot’s film is both a loving ode to and a fervent indictment of his and Fails’ hometown. With themes of gentrification, community, ownership, race and familial legends,
Chris says: “An experimental documentary about water, in all its forms (from gushing waves to immense icebergs), in all its beauty and splendor, in all the horrible destruction it can cause. Alternately meditative and almost serene like ambient music and frenetic like
Michael says: “Who knew Zhang Yimou had a new movie out this year? Certainly not me (thanks, Bob!) I’ve loved a lot of Zhang Yimou’s films, both his gorgeous, epics, and his tiny character films. SHADOW is one of the
Chris says: “Not to diminish all the great moon-landing footage, what stuck with me most here was the first half-hour: a fascinating time capsule of what this country and its people looked like fifty years ago, restored to appear as
Brett says: “A surefire candidate for a Chlotrudis ‘Best Use of Music in a Film,’ WOMAN AT WAR dives deep into the story of an middle-aged eco-activist who dedicates herself to putting a cause she believes in above her own
Chris says: “I totally get Satanism as a rejection against ‘straight’ society, but how ’bout as activism to *protect* separation of church and state? My skepticism, however, gradually broke down–as she conveyed with her last doc NUTS!, director Penny Lane
Chris says: “Given his tragic death in a freak accident at age 27, there’s no away a documentary about Russian born, LA-raised actor Anton Yelchin can avoid being sentimental; still, once you get past all the childhood home movies, homemade