Bruce says: “This film is a perfect companion piece for WHO GETS TO CALL IT ART?, a film that explains how Henry Geldzahler became a power broker for the contemporary art scene in New York during the latter part of
Bruce says: “György Pálfi’s HUKKLE remains one of the most off-the-wall films I have ever seen; needless to say I was excited that he had a new film at Tribeca. In ways TAXIDERMIA is every bit as interesting in concept;
Bruce says: “Andrea Arnold is getting lots of attention these days. RED ROAD won the Jury Prize at Cannes and Best Film at the Miami International Film Festival. RED ROAD has interesting origins. With an Academy Award for her short
Bruce says: “Critics of the Bush Administration’s war in Iraq have been quick to disagree with almost every important decision made along the way. Dismissed as naysayers and accused of lacking patriotism, the critics had difficulty disproving decisions for the
Beth says: “I really wish this and MONKEY WARFARE had not been literally back to back – my festival highlights came in a clump, as a result. Directed by AJ Schnack, one of Chlotrudis’ Advisory Board members, the film was
Michael says: “There’s been a lot of buzz about Todd Hayne’s Bob Dylan biopic, especially after it’s debut in Venice. Those who know me know that I am not a fan of the biopic, but ever the experimenter, Haynes turns
Bruce says: “During the great Asian financial boom in early 1990’s director Lee Kang-Sheng was an unemployed actor with lots of time on his hands. The Taiwanese film industry was doing poorly in the face of Hollywood dominance in international
Michael says: “GRBAVICA: THE LAND OF MY DREAMS is a great candidate for a Buried Treasure nominee, with echoes of OR (MY TREASURE) and THE SECRET LIFE OF WORDS. This powerful debut form Bosnian filmmaker Jasmila Zbanic looks at the
Bruce says: “Using William Saroyan’s The Laughing Matter as a basis for THE BANISHMENT, Andrei Zvyagintsev follows up his sensational directorial debut, THE RETURN. Konstantin Lavronenko, who played the father in THE RETURN, won the Best Actor at the Cannes
Bruce says: “Two sisters each harbor a dreadful secret. Glamorous sister Raimunda (Penelope Cruz) is trying to cover up her husband’s murder; mousy sister Sole (Lola Dueñas) is fearful that friends and family will discover that the ghost of her