Matt says: “ATONEMENT director Joe Wright’s bold costume drama ANNA KARENINA served as my introduction to Leo Tolstoy’s beloved story of passion and infidelity among aristocrats in 19th century Russia. Despite my lack of familiarity with the novel, Wright’s audacious
Jason says: “YELLOWBRICKROAD is a movie constructed out of every tangentially-related spooky idea that its makers could graft onto the setting, and that grab-bag approach can be a dangerous way to put a movie together, even one where the usual
Jason says: “It is customary, when discussing master filmmakers still producing movies well past when people in most industries have retired, to comment on how they are still vital and what an inspiration it is that they still love their
Jason says: “I don’t think it was Patricio Guzmán’s plan to do a bait-and-switch with his documentary NOSTALGIA FOR THE LIGHT, but if it was, he executes an unusually smooth and effective one here: It’s one thing to start with
Jason says: “MILOCRORZE: A LOVE STORY is the sort of colorful, genre-mashing flick that doesn’t just try to bowl the audience over, but practically insists on it, overwhelming the viewer with color and sound and sudden shifts until they either
Jason says: “There is a certain joy to a move that takes the word ‘cliffhanger’ literally, as A LONELY PLACE TO DIE does in its very first scene. Director Julian Gilbey will go back to this well another time or
Bruce says: “Make no mistakes, GAINSGOURG: JTAIME .MOI NON PLUS is no straightforward biopic. Rather than attack his subject conventionally, Joann Sfar is capricious and daring in his portraiture of Serge Gainsbourg. Sfar pages back and forth to Gainsbourgs childhood to
Jason says: “COLD WEATHER looks like a detective story, but to an extent that’s just camouflage. Though it’s got more of a definite plot than many of the movies that rightly or wrongly are placed under the ‘mumblecore’ umbrella, the
Jason says: “Every few weeks, Space.com will mention a meteor shower or comet, and I’ll stay up late and eagerly make my way out to my back porch before remembering that I live right across the river from Boston, and
Jason says: “Pundits declaiming the use of 3D in recent years often act like it was gone for a generation between the mid-eighties and late-naughts, but that’s not really the case; it was used extensively for documentaries that played at
