“Slasher films are a dime a dozen, so when an authentic standout rears its intimidating, masked head lurking from the shadows, it would be … criminal not to give such a film(s) its proper due. “THE THIRD SATURDAY IN OCTOBER
Brett says: “A cryptic excerpt from a poem by W.H. Auden about Atlantis opens this equally dream-like film. The underwater isle of fantasy in this particular excerpt of the poem is described with a similar flair as Samuel Taylor Coleridge’s
Brett says: “CRYO is a science-fiction psychological thriller that borrows tidbits from previous sci-fi films, but some of these borrowings fly under the mainstream radar. In this case, the sci-fi considerations are effective as ideas and setting components that accompany
Brett says: “The horror Christmas movie tradition might bring to mind some cult classics like BLACK CHRISTMAS; SILENT NIGHT, DEADLY NIGHT; and RARE EXPORTS. It might be a bit too early to tell, but if given a fair shake and
Brett says: “THE INNOCENTS is a film that see-saws back and forth with character-driven family drama and shocking kid-fueled horror/fantasy. The film’s primary focus is on a group of four Norwegian children who—through their own sets of circumstantial conflicts—have by-passed
Chris says: “It feels too easy to label this as ‘Hawaiian Mumblecore’, even if that’s exactly what it is. The backstory is more interesting: Director Alika Tengan developed this around the real life circumstances of its star, Naz Kawakami, a
Diane says: “Jesse Plemons plays the opposite of his THE POWER OF THE DOG role—an obnoxious tech billionaire who lords it over his wife and staff. In this thriller, the couple is held hostage by a disgruntled average guy. Tone varies
Chris says: “Really cool production design does what it can to enhance a perfectly adequate narrative. Denis Lavant appears briefly (just call him ‘One Scene Denis’) because he can. 3 cats”
Michael says: “Apparently based on an uber-popular YA novel, the film is clumsy, beautiful, trite, and beautiful all at the same time. While it follows a formula that screams teen fiction there are some moments that work so perfectly, that
Chris says: “Historical melodrama that takes a while to get where it’s going, although it eventually arrives (e.g. the stowaway sequence) and then unpredictably goes a little batshit after that. Docked at least half a star for how clumsily it