Chris says: “Production design’s less invasive and conceptually it’s far more theoretical than what came before, but it’s still a Peter Strickland film, one centered on desire, tenacity, taboo and general weirdness. Headier thrills for sure, but also a tad
Brett says: “NANNY is a hybrid genre film based loosely on the story of director Nikyatu Jusu’s own mother and her experience with domestic work in New York City. The genre elements include West African folklore to amplify the horror
Brett says: “KNIVES OUT scratched an itch in audiences that they may have not known they even had when the first film in the franchise revived a standard for classic murder mystery characters in a refreshing new standard of modern
Brett says: “Sometimes the power and outreach of an artistic venture is more important than the attempt to measure or ‘rate’ the art within. BONES OF CROWS is a timely piece that narrates intergenerational tragedy after tragedy among a family
Brett says: “According to the film, SISU is a word that has no clear translation but one that reflects undeterred courage and determination when all hope is on the chopping block. This Finnish film from RARE EXPORTS director Jalmari Helander
Brett says: ” This first feature from director Elena López Riera is part fable within a fable in which a small Valencia village is ravaged by generational floods. The legend behind the floods framing the story within is tied to
“Slasher films are a dime a dozen, so when an authentic standout rears its intimidating, masked head lurking from the shadows, it would be … criminal not to give such a film(s) its proper due. “THE THIRD SATURDAY IN OCTOBER
Brett says: “A cryptic excerpt from a poem by W.H. Auden about Atlantis opens this equally dream-like film. The underwater isle of fantasy in this particular excerpt of the poem is described with a similar flair as Samuel Taylor Coleridge’s
Brett says: “CRYO is a science-fiction psychological thriller that borrows tidbits from previous sci-fi films, but some of these borrowings fly under the mainstream radar. In this case, the sci-fi considerations are effective as ideas and setting components that accompany
Brett says: “The horror Christmas movie tradition might bring to mind some cult classics like BLACK CHRISTMAS; SILENT NIGHT, DEADLY NIGHT; and RARE EXPORTS. It might be a bit too early to tell, but if given a fair shake and