Michael says: “The director of SWIMMING POOL, 8 WOMEN and UNDER THE SAND takes a slight stumble with his latest feature 5 X 2. Ozon shows us five stages in a couple’s relationship beginning with the day of their divorce
Bruce says: “Being a huge tennis fan, I approached WIMBLEDON with certain trepidation. Would this romantic comedy be as bad as I feared? The answer is ‘no, it wasn’t really bad at all,’ although it should have been much better.
Bruce says: “TRILOGY: THE WEEPING MEADOW begins with a group of Greek refugees from Odessa who have fled the Bolshevik revolution and are now approaching Thessalonica where they will ultimately settle in the mud flats along the river. The image
Beth says: “I missed the first minutes of WE DON’T LIVE HERE ANYMORE which, despite starring Naomi Watts, Laura Dern, Mark Ruffalo and Peter Krause, was horrible. Sooo booooring! It’s about two couples, the women and men each best friends
Diane says: “I recommend this rich docu by Morgan Spurlock, the engaging ‘star’ of the film, who went on a diet of pure McDonald’s for 30 days. Along the lines of a Michael Moore piece, Spurlock also travels the country
Chris says: “I had mixed feelings about this ambitious but flawed first feature from director Rodrigo Bellott. Beginning in Bolivia and ending up at a prototypical American University, it tracks a cast of young adults undergoing various sexual awakenings, experiences
Hilary says: “In portraying Ramon Sampedro, a Spanish quadriplegic who fought for the right to die, Javier Bardem is presented with a great acting challenge, as it all must be done using only his face and voice. Bardem is a
Bruce says: “In sociology, one must be interested in society. That is what Karim (Karim Tarek), a straight man living with his girlfriend Sihem (Sihem Benamoune), thinks as he chooses North African gay men as a topic for his video
Janet says: “‘This film, the story of Ray Charles with Chlotrudis fave Kerry Washington as Ray’s long-suffering wife Bea, has a lot to recommend it although it’s constrained by the usual limitations of the biopic. “There is that seemingly unavoidable
Chris says: Pretty audacious for a studio comedy, even if it’s technically an indie studio. David O. Russell’s existential romp is a love-it-or-hate-it receptacle if I ever saw one. I loved it, but I’m skeptical as to how much it’ll