Bruce says: “It has been seven years since MY SUMMER OF LOVE, so to say the THE WOMAN IN THE FIFTH was eagerly anticipated is an understatement. Although an entirely different type of film, comparisons to MIDNIGHT IN PARIS are
Thom says: “Gyllenhaal brought me to this buddy cop drama that used that too-oft-used new film technique of using hand-held cameras for film footage. Has this worked well anywhere except for [REC]2. Brian Taylor & Mike Zavala are best friends
Jason says: “No matter the cultures involved, movies like WARRIORS OF THE RAINBOW: SEEDIQ BALE follow a certain tragic pattern: Conquest, valiant rebellion, inevitable clampdown. Here, the invaders are the Japanese, the natives are Taiwan’s Seediq people, and the way
Jason says: “THE VIRAL FACTOR aims to be a throwback to the pre-Hollywood films of John Woo, combining stylish action with even grander melodrama. And while director Dante Lam likely has more in common with today’s John Woo than the
Jason says: “Instant photography is pretty darn cool, both as concept and technology, and most of the core audience for TIME ZERO: THE LAST YEAR OF POLAROID FILM probably already feels that rather strongly. The rest of the people who
Diane says: “Franco-Swiss production SISTER underwhelmed me. A young boy who lives near a ski resort steals sports equipment, clothing, food to sell or to feed himself and his older sister. I kept imagining dramatic turns–a suicidal jump from the
Jason says: “THE SALT OF LIFE is the title given to this movie for it’s American release; the actual title translates to GIANNI AND THE WOMEN, which is kind of literal but less pretentious, which might have been preferable. THE
Bruce says: “Minoru Yamasaki holds a distinction that no other architect will probably ever match. Two of his most famous projects were blown up – The World Trade Center in New York City, by terrorists and the Pruitt-Igoe projects in
Bruce says: “***SPOILERS*** “During the first third to one half of WE HAVE A POPE in scene after scene the production design is impeccable and the script, tight. Nanni Moretti is a seasoned filmmaker who won Best Director in Cannes
Jason says: “PIG could probably do with a name change before leaving the festival circuit. That won’t make it a better movie, of course, but it deserves to sink or swim for the reasonably well-done (if not exactly remarkable) sci-fi