Kyle says: “Whether you are a potential viewer of this latest work by the director best known for MURIEL’S WEDDING depends on how open you are to a comedy about mental illness. The title refers not only to the wildly
Bruce says: “I generally try not to review the big blockbusters but as a gigantic Superman fan I thought I could add my 2-cents-worth. I’ve seen SUPERMAN, SUPERMAN II, SUPERMAN III, SUPERMAN IV: THE QUEST FOR PEACE, SUPERMAN RETURNS, &
Jason says: “Sometimes, there are things that the written word can do that a film can’t. In NIGHT TRAIN TO LISBON, Raimund Gregorius (Jeremy Irons) tells how certain sentences in the book at the film’s center had a profound effect
Jason says: “Not having read any of the books in Hiro Arikawa’s Toshokan Sensô series, I readily admit that this film adaptation of the first may give its fans exactly what they want (the manga adaptation looks as ‘shojo’ as
Jason says: “Documentary filmmakers David Redmon and Ashley Sabin had two features at IFFBoston last year; I saw the one about teenage Russian models in Japan rather than the one about the attempt to open a fish-processing plant in Maine.
Jason says: “The lettering used for the main titles of KOCH is the same as that used at a New York City subway station. That’s fitting; the subway is how New Yorkers (or those who visit) most frequently interact with
Jason says: “Alone in the world’ movies offer the independent science fiction filmmaker a fair amount of bang for their buck – you can get by with a very small cast, some unusually still establishing shots taken at the right
Kyle says: “AN INACCURATE MEMOIR (dubbed EASTERN BANDITS upon streaming release) received its North American Premiere at the 12th New York Asian Film Festival. Comparisons to director Sam Peckinpah and the violence of his films such as THE WILD BUNCH
Jason says: “Sometimes, it just doesn’t pay to get your facts straight. I saw GO DOWN DEATH late in the evening toward the end of Fantasia, and was wiped enough to have spaced out at points during even a fun,
Jason says: “Many films boast of firsts, but THE GHASTLY LOVE OF JOHNNY X has to settle for lasts: Last film shot on Kodak’s Super-X black-and-white film stock. Last role for Kevin McCarthy of INVADERS OF THE BODY SNATCHERS fame.