Thom says: “Oh dear, amidst Danny Boyle’s really great films including SLUMDOG MILLIONAIRE, TRAINSPOTTING, 127 HOURS, & SUNSHINE there was always the stench of mediocrity in THE BEACH, A LIFE LESS ORDINARY, & TRANCE, & while YESTERDAY isn’t as bad
Chris says: “I’ll keep watching each one of these they make, knowing full well that the original remains the only essential entry. The attempt at pathos here renders it less satisfying than THE TRIP TO SPAIN, though Coogan’s bitchy summation
Michael says: “TAMMY’S ALWAYS DYING isn’t very original, but that doesn’t mean it’s bad. Catherine MacDonald doesn’t live the most glamorous life. She works as a bartender at her father’s hole in the wall; her mother is an alcoholic who
Diane says: “I watched this BI Gan film from 2018 in prep for his RESURRECTION, which won the Jury Prize at Cannes last month. “Luo Hongwu keeps dreaming of a woman from his younger days, and follows clues in search
Chris says: “Your mileage will vary depending on what you think of therapy sessions turned into autobiographical feature films. Actor/writer Shia LeBeouf does a damning but compelling impersonation of his own father, while Noah Jupe, who plays a version of
Michael says: “CLEMENCY is a powerful film with some great acting, but even the best of acting couldn’t quite give this film the spark it needed and honestly, deserved, to make it stand out. Alfre Woodard, always amazing, and top
Beth says: “This film was about a great story about an important mission. It was just not an award-worthy film. The music really ruined it. In fact, the music was so bad, it pervaded the whole film, and you can’t
Michael says: “I really want to love Bart Freundlich’s films. Not because he’s Julianne Moore’s husband, although I appreciate that he often casts her in his films, but because I loved his debut, THE MYTH OF FINGERPRINTS so much and
Chris says: “A fascinating story (based on actual events) told adequately; it wants to be ALL THE PRESIDENT’S MEN, but Keira Knightley lacks the presence of a Hoffman and the ease of a Redford. It’s even more noticeable in her
Diane says: “Scott Burns’ THE REPORT, starring Adam Driver, is decidedly uncinematic, at least for the first 2/3 of the film. It’s the story of Dan Jones, a Senate Intelligence staffer who labors for years (mostly in a small secure room)