Chris says: “Your mileage will vary depending on what you think of therapy sessions turned into autobiographical feature films. Actor/writer Shia LeBeouf does a damning but compelling impersonation of his own father, while Noah Jupe, who plays a version of
Michael says: “CLEMENCY is a powerful film with some great acting, but even the best of acting couldn’t quite give this film the spark it needed and honestly, deserved, to make it stand out. Alfre Woodard, always amazing, and top
Beth says: “This film was about a great story about an important mission. It was just not an award-worthy film. The music really ruined it. In fact, the music was so bad, it pervaded the whole film, and you can’t
Michael says: “I really want to love Bart Freundlich’s films. Not because he’s Julianne Moore’s husband, although I appreciate that he often casts her in his films, but because I loved his debut, THE MYTH OF FINGERPRINTS so much and
Chris says: “A fascinating story (based on actual events) told adequately; it wants to be ALL THE PRESIDENT’S MEN, but Keira Knightley lacks the presence of a Hoffman and the ease of a Redford. It’s even more noticeable in her
Diane says: “Scott Burns’ THE REPORT, starring Adam Driver, is decidedly uncinematic, at least for the first 2/3 of the film. It’s the story of Dan Jones, a Senate Intelligence staffer who labors for years (mostly in a small secure room)
Chris says: “Apart from her debut feature LA CIENAGA, all of Lucrecia Martel’s films have left me cold and damn if I can pinpoint why. As a big fan of stuff like Tarkovsky’s STALKER, it’s not like I abhor slow
Chris says: “Less the Gen-Z GHOST WORLD it wants to be than a distaff, sillier, low-budget SUPERBAD. Upped half a notch for inspired use of a certain Michael Bolton song. Camila Morrone, however, is nearly as good as a young
Chris says: “Further proof that one can make a movie about *anything*–in this case, twenty-plus pound swamp rats (technical name: nutria) infesting coastal Louisiana and beyond. Fun, educational (Wendell Pierce should narrate everything) and not for the squeamish. 3 cats“
Chris says: “Ephemeral but heartfelt and engaging, particularly whenever it shows the dialogue occurring organically between the Preservation Hall Jazz Band and the Cuban musicians (it spends a little too much time telling us about it.)”