Bruce says: “Georgia Lee wrote and directed this enjoyable comedy about the Wongs, a dysfunctional Chinese-American family. The three Wong daughters are all going through major changes. Samantha (Jacqueline Kim), the oldest daughter, gave up a promising opportunity to study
Bruce says: “Characters in a Wes Anderson film are often smug, have an oversized sense of entitlement and lack empathy. That description fits most of the characters in THE DARJEELING LIMITED. One year after their father died, three brothers –
Bruce says: “COWBOY ANGELS begins with an eleven year old playing pinball in a smoky bar. We can tell it is late by the apparent drunkenness of the patrons. His mother (Françoise Klein) is at the bar, spilling her drinks
Bruce says: “The subject of CHINA BLUE is the denim industry in China. Less than twenty years ago it was not possible for those living in rural areas to migrate to cities where work in factories was plentiful. The Chinese
Michael says: “Most filmmakers should be so lucky to come across Jimmy Mirikitani, an elderly Japanese-American man who was living on the streets of lower Manhattan in 2001. A self-proclaimed ‘Grand Master’ of an artist (with the work to back
Bruce says: “Billo (Thierno Thiam), a young man from Senegal, has wanted to be a fashion designer since he was a small child put to work in his uncle’s garment business. He and his mother have always been the black
Bruce says: “Few artists have the integrity of Alice Neel. Neel viewed painting as a privilege and an obsession. ‘I had to paint,’ she would say. While her contemporaries reveled in the downtown abstract expressionist art scene, Alice remained outside
Beth C says: “This must be the first time I’ve ever favorably rated a film that got a 48 on METACRITIC. Usually they love a film that I hated but this time it’s the other way around. I found it
Beth says: “This was a Rumanian film about a small town TV station owner/call-in show host who decides to mark the 16th anniversary of the Communist overthrow by having a special show, in which he asks two men to debate
Michael says: “In the tradition of feel-good films like BEND IT LIKE BECKHAM or BILLY ELLIOT combined, WONDROUS OBLIVION shows us our collective prejudices but allows us to overcome them in a slightly formulaic, but ultimately more successful film than