Bruce says: “Bearing a vague similarity to the 1959 Doris Day film IT HAPPENED TO JANE, DOT.COM is a David and Goliath tale about a town that takes on both a government and a huge multinational corporation when the townspeople
Michael says: “We saw this French/Lebanese co-production a couple months ago as part of the Sunday Eye Opener, but as it’s opening next weekend, I thought I’d mention it now. Billed as a bit of a STEEL MAGNOLIAS in Beirut,
Chris says: “As a short kid growing up in Poughkeepsie in the 1980s, Christopher Bell and his brothers Mark and Mike were picked-on outcasts until the tremendously pumped-up likes of Hulk Hogan and Arnold Schwarzenegger came along and saturated American
Bruce says: “**SPOILERS** “During the British Raj, Britain’s nearly 100-year rule of India, Britain attempted to maintain a myth of white male supremacy while raping a country many times its size of natural resources. To say that the Brits were
Bruce says: “Every country has its horror stories. Algeria has more than its share. Most recently, civil war tore Algeria asunder from 1990-1998. In his film ALGERIA, UNSPOKEN STORIES Jean Pierre Lledo focuses on an earlier period. In July 1962
Chris says: “Gus Van Sant is listed as one of the executive producers, but throughout this positively odd but rarely boring first feature from director Cam Archer, I was expecting to see Todd Haynes’ name instead. As I watched this
Bruce says: “This film would make a great double feature with AUDIENCE OF ONE. Both feature overzealous ministers who stop at nothing to accomplish goals which are both ill-defined and elusive. WHAT WOULD JESUS BUY? is the story of Reverend
Bruce says: “**Spoilers** “VITUS is a surprisingly slick and competent drama about a child prodigy who desperately wants to be normal. When we first see Vitus (Teo Gheorghiu) he is twelve and has stolen a private plane which he is
Bruce says: “‘A reasonable man adapts himself to suit his environment. An unreasonable man persists in attempting to adapt his environment to suit himself. Therefore, all progress depends on the unreasonable man.’ When George Bernard Shaw wrote these words he
Bruce says: “AMADEUS did Mozart great disservice, portraying him as silly and deluded during the last decade of his life. Phil Grabsky is out to set the record straight by tracing Mozart’s career from the time of his first known