Brett says: “A do-it-yourself thriller-comedy that throws back to Spielberg’s made-for-television DUEL, this film is a microscopic budget first feature that tosses out the tractor-trailer vs. automobile and inserts a motorboat and kayak instead. The absurdity of that concept is
“TEDDY is a modern take on werewolf lore and is set for release next week in French theaters. The film’s title protagonist is a young man in his early 20s that is still very much lost in the world. He
Michael says: “Family saga about a multi-generational Spanish family with a successful wine business who move their family business to Australia. The film is told in flashback, when a young man returns home to Spain and discovers that the groundskeeper
Chris says: “Shot entirely during the COVID-19 quarantine, this end-of-the-world indie-com has a good premise (although Don McKellar’s LAST NIGHT got there first more than two decades ago), an impressive ensemble and a rather shoddy execution. Feeling much, much longer
Michael says: “**SPOILERS if you care about who wins.** “What I learned form watching GODZILLA VS. KONG was that I am either a) further from the mainstream than I had already thought, or b) Mothra’s appearance in a monster movie
Diane says: “If you didn’t get enough ghost sex in BURNING GHOST, here’s another chance. In LAND, Robin Wright is wracked by grief after the sudden loss of her husband and son. Edee can’t stand human company, so opts for
Michael says: “Sam Levinson wrote and directed this overwrought two-hander during the COVID-19 lockdowns, and what might have been a interesting examination of how love and hate aren’t all that far apart in a relationship, turns out to be a
Diane says: “Irish film HERSELF, a 2020 Sundance selection, is a pale shadow of last year’s WILD ROSE. Altho main character Sandra’s woes are more external than Jessie Buckley’s were, she’s a single mother with a dream. Having left an
Diane says: “ARCHIVE had its digital release this summer, after losing a debut slot at the cancelled SXSW. It’s the first feature of Gavin Rothery, whose previous credits emphasize art direction and sfx. So ARCHIVE has a *great* look, in
Chris says: “Musical trio braves its way through a flood in a camper van in order to make it to a “Battle of the Bands” in Tehran where they believe fame and fortune will surely be theirs. The setting/situation makes