Diane says: “I’d seen the gist of a few reviews for ANEMONE (Ronan Day-Lewis, director; Ronan and Daniel Day-Lewis, screenplay; Daniel, actor) so was predisposed to be disappointed. Critics were so excited to see DDL back on the screen that
Diane says: “Noah Baumbach’s newest comedy will, I predict, be the audience fave at Telluride-by-the-Sea here in Portsmouth, NH. George Clooney plays Jay Kelly, a Hollywood star who is constantly surrounded by people, whose ego and drive compel him to
Brett says: “It is baffling how a director can go from from something so good and even earn writing awards for it (ALL QUIET ON THE WESTERN FRONT) to something that requires such a reach from viewers that they suddenly
Diane says: “I was eager to see this film, having read Alexandra Fuller’s 2001 memoir when it came out. It’s a story of the end of British colonialism in Africa through the eyes of a young girl, Bobo. “Director/screenwriter Embeth
Brett says: “I go to festivals. I watch movies. I write reviews. I don’t make up the titles, so give a guy a break. From the mind of first-feature writer/director Aimee Kuge, CANNIBAL MUKBANG stretches the boundaries of mukbang entertainment:
Chris says: “Simon (Théodore Pellerin), a talented young performer in Montreal’s close-knit drag community is immediately smitten by Oliver (Félix Maritaud), a fellow drag queen freshly transplanted from France. They pursue a whirlwind romance while also collaborating together onstage, although their
Brett says: “From director Nicole Riegel, DANDELION is the latest installment of musical drama that showcases the title fictional singer-songwriter in the familiar position of struggling artist. In fact, much of the plot within is familiar territory for many audiences.
Michael says: “Atom Egoyan’s first dozen or so films were all fascinating, compelling works that solidified him as one of those filmmakers whose work I will always see. His last four or five have been more erratic, or worse, sometimes
Brett says: “A person kills herself/himself and then a stage play breaks out. So, it’s Chekhov or Ibsen in reverse, right? Throw in a seance to bring back said dead person from the grave and BROOKLYN 45 might just fit
Brett says: “The genre western-comedy does not exactly have a long list of acclaimed representatives to its credit. In fact, the all-around rugged, image-conscious, hidden-emotions heroic quality of westerns usually means that attaching the word comedy to it is an