Philip says: “Derek Jarman is a revolutionary filmmaker. I hate to think of him in the past tense. If you don’t understand the enormous vacuum that was left from the devastation of AIDS, watch Jarman’s EDWARD II, nearly 20 years
Thom says: “I was truly thrilled to recall that this received 6 Chlotrudis nominations for year-end honors in 2019. While it failed to win any of the coveted awards the recognition was noteworthy and well-deserved. Inbal Weinberg for Production Design,
Chris says: “Not everything in Joanna Hogg’s latest fully registered for me, but when it was over my first thought was, “I really want to see this again” and it’s been some time since I last felt that way about
Thom says: “It would be presumptuous of me to call myself a huge Jim Jarmusch fan but he certainly has had a large number of top-rated films with me including PATERSON, ONLY LOVERS LEFT ALIVE, BROKEN FLOWERS, COFFEE & CIGARETTES,
Thom says: “The Coen Brothers have had a long, steady run of super-loved films that they have directed and they very rarely fail to hit my highest rating so that this palpably fun film didn’t achieve that fantastic distinction is
Jason says: “A Korean director making an English-language movie from a French graphic novel may seem like a random combination, but it’s really not: Both Korean genre film and French bandes dessinées often blur genre lines and forms, while English
Diane says: “Jim Jarmusch gives us another lovely, delicately realized, witty film. Thanks, Kyle, for your writing on the soundtrack. “I always wish that Tilda Swinton could be more chameleonic–that is, not be so obviously Tilda Swinton–but I have to
Jason says: “When trailers for THE GRAND BUDAPEST HOTEL first started appearing a few months ago, I felt some apprehension. Not so much because I often think I like director Wes Anderson less than I do, but because a large
Jason says: “At no point during WE NEED TO TALK ABOUT KEVIN are the words of the title actually spoken, but it’s not like it would have made a difference if they were. There’s just nothing you can do about
Chris says: “Back when I first saw THE DARJEELING LIMITED, I detected the promise of a mature, career-defining work lurking deep within, and suggested that Wes Anderson shed some of his baggage in order to locate it. I didn’t specify