Brett says: “Already before coming to theaters with a whole convoy of dump trucks’ worth of hype, THE WHALE is a film that, unfortunately, will fall flat for many who are expecting some sort of transformative cinematic experience. For others
Jason says: “One often talks of ‘opening up’ plays when adapting them to film, doing things to obscure the fact that they were originally created to take place in a limited number of limited spaces, all viewed from a single
Thom says: “David Cronenberg has for many years been one of my top 10 living directors and, in fact, he had eleven consecutive top-rated films with me, a feat only a handful of directors have ever achieved, but his next
Jason says: “THE MESSENGER has no problem with making the audience a little uncomfortable. What might, in another movie, have been a bittersweet romance between Ben Foster’s Will Montgomery (a wounded soldier serving the end of his hitch informing next
Marilyn says: “The most important film we caught in Toronto was SYNECDOCHE, NEW YORK written and directed by Charlie Kaufman who said at the Q&A that he appreciated the audience very much because they clearly ‘got it.’ The film starring
Jason says: “MISTER LONELY invites the audience to ponder many philosophical questions. What is the purpose of a miracle? Is it a blessing or a curse to find oneself among people who share your passions completely? Can you choose your
Michael says: “Who can resist Cate Blanchett, royal, imperious, hair unbound, clad in armor, riding on a white horse? Apparently not me, as I went to see ELIZABETH: THE GOLDEN AGE on opening weekend. I enjoyed ELIZABETH, one of Blanchett’s
Chris says: “Why did Joy Division vocalist Ian Curtis hang himself at the age of 23? Was it misery brought on by marital infidelity, an uneasy mixture of meds prescribed for his epilepsy, stress at the onset of fame, or
Michael says: “What could have been fascinating and unusual turned out to be fairly pedestrian, beautifully filmed, and occasionally over-the-top. ENDURING LOVE, based on the novel by Ian McEwan, was directed by Roger Michell, whose unusual career includes such films