Diane says: “I’d seen the gist of a few reviews for ANEMONE (Ronan Day-Lewis, director; Ronan and Daniel Day-Lewis, screenplay; Daniel, actor) so was predisposed to be disappointed. Critics were so excited to see DDL back on the screen that
Brett says: “Already before coming to theaters with a whole convoy of dump trucks’ worth of hype, THE WHALE is a film that, unfortunately, will fall flat for many who are expecting some sort of transformative cinematic experience. For others
Jason says: “One often talks of ‘opening up’ plays when adapting them to film, doing things to obscure the fact that they were originally created to take place in a limited number of limited spaces, all viewed from a single
Thom says: “David Cronenberg has for many years been one of my top 10 living directors and, in fact, he had eleven consecutive top-rated films with me, a feat only a handful of directors have ever achieved, but his next
Jason says: “THE MESSENGER has no problem with making the audience a little uncomfortable. What might, in another movie, have been a bittersweet romance between Ben Foster’s Will Montgomery (a wounded soldier serving the end of his hitch informing next
Marilyn says: “The most important film we caught in Toronto was SYNECDOCHE, NEW YORK written and directed by Charlie Kaufman who said at the Q&A that he appreciated the audience very much because they clearly ‘got it.’ The film starring
Jason says: “MISTER LONELY invites the audience to ponder many philosophical questions. What is the purpose of a miracle? Is it a blessing or a curse to find oneself among people who share your passions completely? Can you choose your
Michael says: “Who can resist Cate Blanchett, royal, imperious, hair unbound, clad in armor, riding on a white horse? Apparently not me, as I went to see ELIZABETH: THE GOLDEN AGE on opening weekend. I enjoyed ELIZABETH, one of Blanchett’s