Chris says: “This is the film devotees of David Gordon Green’s earlier features hoped he would make, although it’s probably not entirely what they expected. A remake of the Icelandic film EITHER WAY, PRINCE AVALANCHE returns to the Terrence Malick-on-a-tight-budget
Jason says: “OUR IDIOT BROTHER is just as broad a comedy as its name suggests but a good deal less mean-spirited. In other eras, it might have been a door-slamming farce, although in the present its screwball tendencies are held
Michael says: “I had been looking forward to THE TEN, David Wain’s follow-up to WET HOT AMERICAN SUMMER, since I read about Winona Ryder playing a woman how has a relationship with a stolen ventriloquist’s dummy. THE TEN is an
Michael says: “Is it a nostalgia piece looking back on working class lives on Long Island in the late 70’s? Is it a tale of big corporations taking the livelihoods of the individual? Is it a coming-of-age story about a
Chris says: “Stars a rarely-better Parker Posey as a Cleveland ad exec who has never had an orgasm, ever. A thin premise and somewhat clumsy script are enlivened by a decent cast: Paul Rudd (shlubby and nearly unrecognizable with copious
Janet says: “With THE 40-YEAR-OLD VIRGIN I expected a DEUCE BIGALOW/AMERICAN PIE type of sensibility with perhaps a few ribald laughs. Instead, I found a cleverly written and well-acted film. The characters are well developed, every setup pays off, and
Carolyn says: “I knew very little about this movie except that it was similar to BIRTH another movie out in theaters that I only heard a bit about. Louise, an admission director for Columbia’s School of Fine Arts, receives an
Peg says: “Based on a stage play of his (and maybe more successful in that format) this was a dark, intriguing little tale of a beautiful grad student and artist (Rachel Weisz) who seduces a geeky museum docent (Paul Rudd)