Michael says: “Hong Sang-soo is a singular and fascinating filmmaker. He writes, directs, produces, edits and often composes the scores to his films, and releases two to three every year. IN OUR DAY is one of this 2024 releases, and
Diane says: “A short but meaty film by Hong Sang-soo: in a suburb of Seoul, a novelist—whose best books may be behind her—visits an old colleague who has given up writing, and serendipitously encounters a filmmaker who’s happy to have
Michael says: “Also released in 2024, this brief film (61 minutes) focuses on a young aspiring filmmaker who travels with two colleagues (his cinematographer and an actress with whom he has worked before) to a coastal town to create a
Vicki says: “Chan-wook Park doesn’t disappoint in his no-holds-barred film, THE HANDMAIDEN. Park bases the film on the Victorian thriller, Fingersmith but moves the setting to to 1930’s Korea under Japanese Colonialism. Park maintains the novel’s three part structure (story told
Michael says: “THE DAY AFTER is a Koren film from prolific director Hong Sang-Soo. This film that starts with our lead, Bongwan (Kwon Hae-hyo),a respected literary critic who runs his own publishing house, being accused by his wife (Cho Yun-hee)
Jason says: “Lee Jeong-beom’s last film as director was THE MAN FROM NOWHERE, an action thriller spectacular enough that I’ve spotted people who usually don’t like their movies with subtitles telling other folks that they’ve got to see it. Lee
Kyle says: “According to the New York Asian Film Festival program booklet, VERY ORDINARY COUPLE, seen in its North American Premiere screening, out-grossed both A GOOD DAY TO DIE HARD and GI JOE 2 at the Korean box office. Relief