Brett says: “It is baffling how a director can go from from something so good and even earn writing awards for it (ALL QUIET ON THE WESTERN FRONT) to something that requires such a reach from viewers that they suddenly
Michael says: “After enjoying Antonioni’s BLOW-UP, I thought it might be fun to check out BLOW OUT, Brian De Palma’s nod to that classic. In the 1966 film about a photographer who inadvertently captures a possible murder while king pictures of
Chris says: “Interesting that Brian De Palma made this between PHANTOM OF THE PARADISE and CARRIE: it feels almost beholden to reverently emulating (rather than simply paying affectionate homage to) a certain Hitchcock film (Bernard Herrmann score and all!) except
Thom says: “I had rather high expecta tions for this film, but still was thrilled at how much I enjoyed it. Director Ganatra has had lots of television experience, but previously her features were lackluster. But a great (if cookie-cutter)
Diane says: “Alfred Molina and John Lithgow make a sweet pair–married after 39 years together and then thrown into a financial and household crisis. Can you believe those two big men can fit in a bunk bed together? “Lithgow did
Jason says: “I can’t recall Tommy Lee Jones ever working with Werner Herzog at any point, and that’s probably for the best. THE HOMESMAN suggest they may be too much on the same page about how the untamed wilderness not