Bruce says: “THE PLAYROOM’s sin is one of omission. There is just not enough substance. One scene in particular is revisited time after time. A voiceover is also repetitious. No doubt Julia Dyer believed repetition would reinforce the moment. That
Thom says: “Rarely does Film Movement introduce a film with a major actor like John Hawkes but the film did win the Silver Bear at the Berlin International Film Festival and certainly deserves a wider audience. This one is a
Bruce says: “So many things could have gone wrong with bringing THE SESSIONS to the screen. The script could have made the story cheap and tawdry. The direction could have taken the story to a sensationalistic plateau. The actors could
Michael says: “To kick off this season’s CineCache co-presentation with the Brattle Theatre, we got a sneak preview of the Sundance hit, MARTHA MARCY MAY MARLENE. This is one impressive debut film… heck, it’s a pretty impressive film all around.
Michael says: “One of my favorite films at this year’s Provincetown International Film Festival was HIGHER GROUND, starring and directed by the charming and talented Vera Farmiga (UP IN THE AIR; DOWN TO THE BONE). HIGHER GROUND tackles the complex
Michael says: “Got out to the Independent Film Festival of Boston tonight, and was not disappointed by Debra Granik’s outstanding WINTER’S BONE. This taut, atmospheric drama has already racked up some awards at Sundance and Berlin, and I sure hope
Bruce says: “Miranda July’s ME AND YOU AND EVERYONE WE KNOW is the delightful film chosen to open the new Independent Film Center in New York on the site of the old Waverly Theater. July’s career has included video and
Bruce says: “**SPOILERS** “Based on an Anne Tyler novel, A SLIPPING-DOWN LIFE is a weird combination of a traditional love story and a bizarre turn of events for two Southerners who see nothing in their boring lives but a dead