Michael says: “Hirokazu Koreeda goes to France and assembles an international cast including Catherine Deneuve, Juliette Binoche, and Ethan Hawke, but sticks close to his favorite theme of family. In this case it’s the strained relationship between a mother, Fabienne,
Chris says: “I believe any work of art has the potential to be both ridiculous and sublime, however rarely one achieves such a tricky balance is. To its credit, FIRST REFORMED is often firmly the latter—the austere opening credits sequence with
Chris says: “This was my favorite Hornby novel since High Fidelity (he’s at his best writing about music), but as film adaptations go, it’s no HIGH FIDELITY. It doesn’t fall flat, exactly—how it could it with such ideal casting as
Chris says: “When asked what BOYHOOD was about, I stumbled in finding the words for a two-sentence description; having had a few days to mull it over, my response now would be simply, ‘Everything.’ It’s the best way to sum
Chris says: “*Minor spoilers ahead* “Though not a flawless film, Richard Linklater’s BEFORE SUNRISE concluded almost perfectly: its open-endedness exuded a lovely power as it revisited all the spaces its two leads Jesse (Ethan Hawke) and Celine (Julie Delpy) inhabited
Bruce says: “It has been seven years since MY SUMMER OF LOVE, so to say the THE WOMAN IN THE FIFTH was eagerly anticipated is an understatement. Although an entirely different type of film, comparisons to MIDNIGHT IN PARIS are
Thom says: “This companion piece to PARIS JE T’AIME isn’t quite as good as the Paris version. The former concentrated on all different districts of the ‘City of Light,’ each with its own yarn, and was quite a bit more
Bruce says: “A few weeks ago the producer of BELLA, an independent film that opened at the same time as BEFORE THE DEVIL KNOWS YOU’RE DEAD, sent out an email chain letter that was a rant against Lumet’s film, a
Bruce says: “Being a fan of Eric Schlosser’s Fast Food Nation, I was looking forward to Richard Linklater’s fictionalized version of Schlosser’s multiple exposés of the fast food industry, the Colorado meat packing industry, and the US immigration policies (or