Michael says: “What this feel-good divorce movie lacks in bite, it more than makes up with with heart and good acting. Having gone through something somewhat similar to this, ending a long relationship between people who still care deeply for
Jason says: “It says something about humanity, the world we live in, or perhaps just me personally, that I’m bored by the brand of paranoia that keeps CLOSED CIRCUIT running. Is that in spite of how visible abuse of power
Jason says: “Attach enough talent to a movie, and more often than not, you’ll at least wind up with something worth watching, and THE DEBT has a fair number of good people working on it. Does it translate into a
Bruce says: “David Mackenzie is succeeding in bringing unconventional stories to the screen such as THE LAST GREAT WILDERNESS and YOUNG ADAM. MISTER FOE is a perfect companion piece for those earlier films. MISTER FOE is a coming-of-age tale which
Michael says: “I caught this back in December but never got around to reviewing it. I have to tell you I was giddy for hours… even days after seeing Paul Thomas Anderson’s decidedly bizarre adaptation of Upton Sinclair’s novel, Oil.
Hilary says: “Just a few words on MUNICH: “I was pleasantly surprised at how good it was. Spielberg actually redeems himself as a filmmaker, not just a blockbuster-izer, up until the last 10 minutes when he takes out his Significance
Bruce says: “It was a fluke that I saw VERONICA GUERIN immediately after seeing SHATTERED GLASS – two films about journalism based on true stories. Within a few hours I had a glimpse of two journalistic extremes. Veronica Guerin was