Hilary says: “I encourage the local membership to go see DONKEY SKIN (Peau d’âne) at the Brattle this week — it’s a trippy good time! “Stylistically, Jacques Demy’s adaptation of a 17th-century fairy tale is somewhere between CAMELOT and WILLY WONKA
Michael says: “Hirokazu Koreeda goes to France and assembles an international cast including Catherine Deneuve, Juliette Binoche, and Ethan Hawke, but sticks close to his favorite theme of family. In this case it’s the strained relationship between a mother, Fabienne,
Kyle says: “Opening Night of the Film Society of Lincoln Center’s series ‘20th Rendez-Vous with French Cinema’ was Benoît Jacquot’s 3 HEARTS in its U.S. Premiere. Those who like their French films about doomed affairs of the heart intense and
Jason says: “At one point in ON MY WAY, Catherine Deneuve’s Bettie looks at the kid singing some English-language song in the passenger seat, then at the freeway outside the window, and grumbles that she feels like she’s in America.
Thom says: “This historical epic was originally a project for the great Chilean director Raoul Ruiz and was actually in pre-production when Ruiz passed away. The project was then handed to long-time Ruiz collaborator and wife Sarmiento. The film concerns
Thom says: “This historical drama is about Greek hero Ioannas Varvakis who rose from being a Greek pirate to an international Russian caviar baron who has the ear of Catherine the Great. Later in life he returns to Greece to
Thom says: “This and one other late in the Festival are my lowest rated films. Other than seeing mother and daughter playing mother and daughter in Deneuve & Mastroianni I can’t think of one thing to recommend this turgid musical
Thom says: “Earlier on in the beginning of his career Ozun showed he might well be on the way to become one of the great French directors but lately he seems to have lost his way. I was fascinated, while
Jason says: “THE GIRL ON THE TRAIN is based upon an incident that drew a fair amount of attention in its native France, but makes an unusual choice or two in telling the story. Director André Téchiné and co-writer Jean-Marie
Jason says: “In recent years, Persepolis has been sliding into the spot that Maus used to occupy: The socially-relevant graphic novel that makes inroads into the mainstream and is used as an example of how the medium is good for