Laks says: “I was able to soak up two major works that commemorated towering American women that were released in 2024. The first being Laurie Anderson’s AMELIA which was based on the life of Amelia Earhart. The other being Ellen
Michael says: “This assured directorial debut from actor Rebecca Hall reveals a practice that many people will be unaware. Set in 1920’s Harlem, a chance reunion of two high school friends poses moral and ethical challenges to a black woman
Michael says: “**SPOILERS if you care about who wins.** “What I learned form watching GODZILLA VS. KONG was that I am either a) further from the mainstream than I had already thought, or b) Mothra’s appearance in a monster movie
Thom says: “I’ve only seen 2 of Canadian director Nguyen’s mediocre fare (WAR WITCH & 2 LOVERS & A BEAR) and this turgid effort won’t add to his appeal. It might well be that the plot went right over my
Thom says: “It’s post-WWII Hamburg where a colonel is there with his family to help with Reconstruction and they move into a house still populated by the German owner and his shy daughter. Of course, the British colonel and his
Chris says: “Serviceable—that’s the word I kept thinking of throughout this thriller in which an intelligence agency operative (Brit Marling) infiltrates herself within an eco-terrorist group that targets the agency’s corporate clients. I’m not saying this film, co-written by Marling
Thom says: “This film has received lots of top, glowing reviews so I went with huge expectations but I was underwhelmed. It could be considered CRASH for the Internet Age except the three stories told here, aren’t interconnected. While not
Jason says: “As hooks go, it’s tough to beat the one Lars von Trier uses to start MELANCHOLIA: The world ends in such slow motion that time almost seems to be standing still. It’s a fantastic scene of planetary destruction,