Jason says: “The first shot of THE IMMIGRANT- the Statue of Liberty seen from behind, through a brownish fog – is certainly the sort that let the audience know just what the next two hours have in store. Director James
Bruce says: “Muna (Nisreen Faour) is a single parent raising her son Fadi (Melkar Muallem) in Bethlehem. Each day they spend considerable time negotiating checkpoints, often humiliated by Israeli soldiers. Muna works at a bank and Fadi attends private school
Bruce says: “Curious how such a film could become a critic’s darling. Using two non-professional actors John Carney tells a story about songwriters who meet on the streets of Dublin and connect in more ways than one. Or do they?
Bob says: “A look at immigrant life in a gentrifying area of London, with Brexit hanging over everything. A Bulgarian woman, her brother (both well educated) and her son are eking out a life in a former council flat in Peckham.
Chris says: “A group of Middle-Eastern and African men are stranded in a refugee camp off the coast of Scotland. Our protagonist, Omar, is a musician from Syria and carries his oud wherever he goes. The refugees spend their time
Jason says: “Homesickness can be a tricky thing to put on screen. It’s easy enough to have someone say that’s how she feels, or make the other place look beautiful before quickly cutting back, but those techniques can be superficial,
Jason says: “From the name it’s been given in English, PUNCH, you might expect WON-DEUK-I to be an inspirational sports movie, and it’s got some of that in the later reels. In reality, it’s actually something closer to an inspirational
Jason says: “MONSIEUR LAZHAR, Canada/Quebec’s nominee for best foreign language feature at the recent Oscars, is a quite remarkable piece of work, and all the more so for how quietly and efficiently it goes about its business. It is amazingly
Jason says: “Science fiction on film is tricky. The money to do spectacle generally comes with strings attached, but without it, a filmmaker runs the risk of having their world look unconvincing or settling for using their big ideas to
Diane says: “Chinatown crime caper LUCKY GRANDMA features 85-year-old actress Tsai Chin playing a gruff, stubborn widow whose trip to the casino lands her in hot water. Chin (JOY LUCK CLUB) deserves an acting nom, playing all of five years
Chris says: “Jim McKay wrote and directed one of my favorite films, OUR SONG two decades ago; since then, he’s mostly worked on various prestige TV series. I hadn’t even heard of this 2017 feature, his first in 12 years,
Michael says: “The English translation of the harrowing film from Quebec is OUR OWN, which darkly conveys the complicit nature of the tight community in s small town in Quebec. After a traumatic factory fire that is responsible for the
Michael says: “I encountered three instances in the past month, in movies, or books, where someone tells a child: “Never let them see you cry,” or some BS like that. It’s usually well-meaning, and sometimes even serves the character well
The Hundred Foot Journey (India/United Arab Emirates/USA; 122 min.) directed by: Lasse Hallström starring: Helen Mirren; Om Puri; Manish Dayal; Charlotte Le Bon; Amit Shah; Farzana Dua Elahe; Dillon Mitra Thom says: “Director Hallström was responsible for ONCE AROUND (1991)
Bruce says: “Many famous films have twins as characters: HANNAH AND HER SISTERS, THERE WILL BE BLOOD, GONE WITH THE WIND, GIANT but they remain just a statement of fact or a plot adjunct, not an exploration of a phenomenon.
Bruce says: “THE SECRET OF THE GRAIN won top awards (Best Film, Best Director, Best Writing) at the Césars, the French equivalent of the Academy Awards. Writer/Director Abdel Kechiche was born in Tunisia but was raised in the south of
Kevin says: “From Jim Sheridan, the director of IN THE NAME OF THE FATHER and MY LEFT FOOT, comes IN AMERICA, certainly one of the best films of 2003. “The film concerns a family, consisting of Johnny (Patty Considine), his
Bruce says: “Sonia (Félicité Wouassi) is having many difficulties – with her gambling husband George (Mamadou Dioumé), her pregnant daughter Suze (Elisabeth Oppong), her seemingly suicidal pre-adolescent son Leo (Charles-Étienne N’Diaye) and her son Victor (Ralph Amoussou) who is running
Bob says: “Courtney Stephens and Pacho Velez traveled all over the US to document sections of the Berlin Wall that ended up here. They found them at corporations, restaurants, libraries, rich people’s homes, on the side of the highway, museums,
Michael says: “LOS LOBOS (THE WOLVES) is a semi-autobiographical story of Lucía, a young woman who emigrates to Albuquerque from Mexico with her two children, Max, age eight, and Leo, age five. After struggling to find a trashed studio to