Diane says: “Oh, it’s fun to revisit adolescence, isn’t it? Charlie Polinger’s THE PLAGUE plunks us right in the terrifying (male) tween years, with the bully, the eccentric, and the new kid who is forced to negotiate between his social
Chris says: “Serviceable if at times, insightful. Sarah McLachlan created her all-female music festival not only to prove a point but to also create a community. This overview hits all the expected beats, working best when it captures a great interviewee
Cobi says: “Easily one of my favorites this year. Park Chan-wook remains arguably the most inventive director working, always finding new ways to use camera, editing, set, color, blocking, and tone. The film looks directly at class division, corporate consolidation,
Brett says: “Mona Fastvold’s THE TESTAMENT OF ANN LEE is a master class in film editing. The pace and construction is hypnotic, whether it be through the choreography and musical sections or the depictions of the actors’ portrayals with the added advantage
Michael says: “This curious mix of awkward life lessons, cringey sentimentality, offbeat humor, and moving exploration of grief, might be off-putting for some, but i found myself really enjoying the madcap combination that came across a refreshing, a little amateurish,