Michael says: “I have a dirty little secret… I’m not a fan of the muppets. I know, it’s sacrilege, but I enjoyed Sesame St. as a child, but I never really got into the Muppet Show, nor did I enjoy
Michael says: “Continuing my odyssey to fill some of the gaps in my movie-viewing history, I caught up with Michelangelo Antonioni’s BLOW-UP. Released in 1966, BLOW-UP, while superficially a mystery of sorts, is really a curiously mysterious, visually stunning look at
Diane says: “Latest Pixar is bedeviled by a MacGuffin chase that makes it generic. It’s the first half hour of the film, the beautifully moving story of a couple passing from youth to old age and relinquished dreams, that makes this
Michael says: “Most of French director Quentin Dupieux’s films begin with a simple, but completely bizarre and often ridiculous premise, that he is then able to spin into an entertaining yarn with some social commentary threaded in. With MANDIBLES, a
Vicki says: “INDIA SWEETS AND SPICES is an Indian inter-generational coming of age film. It tries to take on too many themes and , as a result, it falls flat. It has some good moments and a fine performance by
Vicki says: “What is unique about Tirola’s extremely well-crafted documentary is that it is told through interviews, tv footage, letters, home movies and audio clips. It traces from his early life to his protesting the Vietnam War and doesn’t shy
Beth C. says: “Directed by D’Arcy Drollinger, this narrative is a hilarious drag queen extravaganza! The cast is phenomenal, all funny. Over the top physical comedy and ridiculous plot twists, the film earns high marks from me this Ptown festival!
Beth C. says: “Directed by I don’t care who, is a terrible, terrible film. (Spoilers below) I suppose this film made it into the festival because it was shot in Paris on a lovely property and the characters cast were
Michael says: “I’m just sliding this in because I’m the only person I know who didn’t like this film, so don’t listen to me, because it really seems to be universally beloved. I, on the other hand, am apparently a
Michael says: “After watching SPOTLIGHT, and ruminating on Mark Ruffalo as an actor, and how people just seem to go gaga over him, but I find him… fine, I decided to go back to the first film I saw him
Vicki says: “ACCEPTED is a provocative and timely documentary. What makes it stand out is its bizarre number of unexpected turns. Chen follows four students as he begins his profile of the TM Landry Prep school where all students achieve
Vicki says: “David Gelb of JIRO DREAMS OF SUSHI fame now turns his camera on Wolfgang Puck. Puck began cooking for celebrities and then became a celebrity chef. We learn quite a bit about Wolfgang in this well-done profile of
Julie says: “Focuses on Lowell High School, a top public high school in San Francisco. The seniors there are stressed out as they apply for their dream colleges. They scrutinize how every element of their application from classes, extracurricular activities
Julie says: “Documentary about Bjorn Andresen and the effects of fame thrust upon him when he was cast in Luchino Visconti’s 1971 film Death In Venice Story at just 15. His past and present are more interesting than one might
Philip says: “There exist a handful of films I watch so many times with such intensity I imagine the next scene a moment before it arrives on the screen. Such is my experience with JULIA, the 1977 adaptation of the
Philip says: “In 1961, U.K. director Basil Dearden did something remarkable. He made a big budget film starring Dirk Bogarde and Sylvia Sims about homosexuality. The title of the film was VICTIM. Ironically instead of portraying the lead character as
Philip says: “George Stevens’ adaptation of An American Tragedy became the 1951 Oscar winning film, A PLACE IN THE SUN. Starring Montgomery Clift, Elizabeth Taylor, and Shelley Winters, Stevens’ film follows the modest rise and fall of a nephew to a
Philip says: “REBECCA is a classic on so many levels. It was Hitch’s first American film made in 1940 for David O. Selznick. Second, it was an eerie Gothic thriller based on the famous Daphne du Maurier novel. Third it stars
Philip says: “Edna Ferber’s adaptation of the stage play she wrote with George S. Kaufman won Best Picture from the NY Film Critics Circle and was nominated for four Oscars. STAGE DOOR is the kind of old film (1937 is
Philip says: “The 1930’s shone a little brighter thanks to the adaptation of Dashiell Hammett’s novel, The Thin Man serialized for the big screen by director W.S. ‘Woody’ Van Dyke. Stars William Powell and Myrna Loy as carefree sleuths Nick and