Jason says: “Mamoru Hosoda perhaps didn’t make a huge name for himself with THE GIRL WHO LEAPT THROUGH TIME, but he made a very good animated film that told a fantastical science fiction story that was also very emotionally grounded.
Jason says: “I’ve got an issue with THE LAST EXORCISM, but it’s about as minor as one can be: It may be borne almost entirely out of my personal beliefs and one that only becomes an issue in the final
Jason says: “A frustrating aspect of seeing foreign films at festivals is that they tend to be very directer-oriented, so if it’s a performance that catches one’s eye, the most likely situation for seeing that actor again is if he/she
Jason says: “Take heart, people of the world; the west and the east aren’t necessarily so different after all. Sure, we may not see eye-to-eye on a lot of things, but if both cultures churn out romantic comedies where the
Jason says: “Norway’s FATSO goes for the comedy of discomfort far more than an American version of the same story would, and as a result, maybe it makes sense in that case that it ends with only the wispiest sense