Laura says: “Or should that title be the crimes of Father Amaro? Carlos Carrera’s pot boiler, adapted from an 1875 novel by screenwriter Vicente Lenero, is long on licentiousness and short on subtlety. While the grey shadings of Benito’s character
Janet says: “THE BUENA VISTA SOCIAL CLUB with snow. This documentary about a men’s choir in the small fishing village of Belgevad, Norway, starts out seeming like it will be short, skimpy, funny, then goes much deeper than you’d ever
Hilary says: “Roman Coppola officially joins the family business with his directorial debut, CQ. For anyone out there who loves BARBARELLA (and I know there’s at least one other person among the membership that will admit this) it’s a must-see.
Hilary says: “I think Steven Soderbergh should be quite flattered: George Clooneys directorial debut, CONFESSIONS OF A DANGEROUS MIND, is a tribute to his work. Clearly the films they’ve done together have had a great influence on Clooney. Stylistically, the
Clinton says: “This thoroughly charming and visually exciting documentary follows the hippie drag troupe who started a legendary anarchist gender-ambiguous theatre movement in late 60’s San Francisco. The Cockettes, a more ribald and daring kick-line than their New York namesakes,
Laura says: “In Paris, Napoleon mostly waits for the unveiling of the imposter in order to make his move. The film rouses itself when Napoleon turns around Pumpkin’s (Iben Hjeile, HIGH FIDELITY) fruit business with military strategy, but little else
Michael says: “This follow-up concert film to her terrific I’M THE ONE THAT I WANT, is more outrageous and funny… but a little less well put together. Obviously, if you like Cho, you’ll enjoy her films, if you don’t… stay
Hilary says: “Sad to say there have been few bright spots as I’ve been slogging through my end-of-year viewing. However, when I noticed that there weren’t any posted reviews on CHERISH I wanted to put my two cents in. “CHERISH
Laura says: “In 1830’s Paris, an environment of rich in artistry and hedonism, George Sand (Juliette Binoche, CHOCOLAT) gives a public reading of her second novel, ‘Lelia,’ declaring that it is easier for a man to accuse a woman of
Laura says: “While CHARLOTTE GRAY can be an infuriating film at times, with its heroine who not once, but twice, travels a great distance on behalf of a man who may not be committed to her or even alive, it