Michael says: “If 2003 isn’t the ‘Year of the Documentary’ I don’t know what is. Film Movement’s OT: OUR TOWN is a worthy addition to the many outstanding documentaries released this summer. It’s playing at the Coolidge Corner, and I
Bob G. says: “Very average cop-drama that aside from being marvelously shot and competently acted, offers up nothing of note either script-wise or in the way of style. Denzel dodges bullets and hangs from balconies with the best of ’em,
Michael says: “You’d think, after ARARAT and WHALE RIDER, that Peg and I have diametrically opposed viewpoints when it comes to films. Not so! Scot and I watched the screener for the Danish film, OPEN HEARTS over the weekend, and
Howard says: “As exciting as the trailer was, the film is not. Robert Rodriguez has attempted to make another Mexican mythology picture in his ‘El Mariachi’ series. Oh, it’s pretty, there are a couple of great action sequences and all
Peg says: “Veteran music documentarian D. A. Pennebaker (ZIGGY STARDUST AND THE SPIDERS FROM MARS) and Chris Hegedus (STARTUP.COM) team with journalist Roger Friedman to play old-home week with legendary soul singers in New York, Chicago, and Memphis. Friedman is
Laura says: “Writer/director Michael and Writer/star Mark Polish complete their American Heartland trilogy with a dreamlike meditation on death and departure. Using two groups of angels, the bureaucratic guardians of the real world and a rag tag assemblage looking for
Michael says: “NOWHERE IN AFRICA is a true epic, telling the tale of a Jewish family’s flight from Nazi occupied Germany to Africa. Walter Redlich travels to a farm in Africa to prepare the way for his wife and daughter.
Laura says: “When an idealistic gentleman of little fortune dies in rural England, his nineteen year old son is left to fend for himself as well as his mother and younger sister. They travel to London to engage the aid
Peg says: “THE NAVIGATORS, directed by Ken Loach, is a fictional story of an all-too-real situation: the deregulation and increasingly-private ownership of the railway system in Great Britain. The script was written by a former railway employee, Rob Dawber, who
Bob says: “I didn’t read the book, but I thought the film was very good. I found Robbins’ performance just as strong as Penn’s (and Penn really was great). Besides, I love depressing films.” Hilary says: “I saw it