Chris says: “For years, Woody Allen has desperately needed to get away from his terminal Upper East Side complacency and try something different, but I never thought he’d go ahead and do it. Actually, this isn’t as much of a
Bruce says: “In 1937 Claude Cahoun and Marcel Moore moved from France to the Isle of Jersey, one of the Channel Islands in the English Channel off the coast of Brittany. Claude, nee Lucy Schwab, was young when her father
Michael says: “This Australian film has so much going for it; a great premise, terrific writing, strong acting, a strong visual style, and some neat experimental tricks that it’s a shame that first time feature director Sarah Watt relied so
Michael says: “This French film explores the broken relationship between two women who have made opposing life choices. It requires concentration and attention, both of which were in short supply when I saw this film at the Provincetown International Film
Michael says: “I was very pleasantly surprised by Steve Buscemi’s tiny film about the shattered dreams and paralyzing ennui of a Midwestern family. Jim left his small-town Indiana home, including Mom, Dad and brother Tim, for NYC and thought he
Michael says: “LIVE AND BECOME is the first epic film to be made about the migration of the Ethiopian Jews to Israel. As that, it has a little bit of the epic formula that Atom Egoyan so successfully avoided in
Michael says: “On a recent trip to New York City, Scot, Bruce and I went to see the Australian film LITTLE FISH starring Cate Blanchett and Hugo Weaving. Unfortunately, this intense little film was never released in Boston and is
Bruce says: “Delightful to watch, LEONARD COHEN: I’M YOUR MAN is not entirely successful. The man, his poetry and music make the film irresistible on one level. Regrettably, the artistic choices – who sings the songs and who speaks to
Beth says: “Directed by French-Canadian Catherine Martin, this documentary was focused on a once remote part of Quebec called Charlesvoix. 30 years ago a photographer recorded images of the people and the places of this area, and Martin went back
Chris says: “Despite the leisurely pace and authentic stabs at social realism, don’t say nothing ever happens in a film by Luc and Jean-Pierre Dardenne. Like their previous feature THE SON, this one gradually bottles up a lot of tension