Michael says: “A little dated watching this film 40 years after its release, but still a great vibe, and nice slice of futuristic neo-noir starring Kris Kristofferson, Genvieve Bujold, Keith Carradine and Lori Singer. Dripping with mood and attitude, the
Michael says: “A music ethnologist searches for an old friend to repay a debt and discovers a connection to the teenaged daughter of his former lover. The main feature is the gypsy music Ange studies, but the story is a
Michael says: “After only being able to view the first three quarters of this film at Virtual Sundance, I got to watch the entire film at the Maine International Film Festival, and this time I just loved it. Truly beautiful
Chris says: “Hirokazu Kore-eda’s gentle sci-fi/AI fable is perhaps the highest concept he’s forged since AFTER LIFE but he doesn’t do enough with it, utilizing it as a catalyst for a family drama without fully realizing its potential. If the
Vicki says: “GIVE ME THE BALL! is an inspiring documentary about the life of tennis great, Billie Jean King. While I knew about her famous ‘Battle of the Sexes’ match, I didn’t fully appreciate just how much she contributed to the
Vicki says: “POWER BALLAD is a crowd-pleasing movie about friendship, ambition, and the world of songwriting. Paul Rudd plays Rick Power, a wedding singer whose dreams of musical success remain unfulfilled while Nick Jonas plays Danny, former boy-band star trying
Michael says: “Giselle Bonella’s feature film debut, THE MUSICAL, is a bold, audacious swing into the blackest satire. When middle school drama teacher, Doug, finds out that his fellow teacher, Abigail, with whom had had been dating the previous year,
Michael says: “English novelist turned filmmaker Helen Walsh, turns her eye on a middle-aged mussel raker living and working in a small conservative fishing village, married to his high-school sweetheart, raising a son who wants more than the ice that was
Brett says: “If one goes into AMERICAN THEATER without prior knowledge, the first few minutes could likely have that person questioning if this is an actual theatrical production or a WAITING FOR GUFFMAN redux. Despite this, it does not take
Brett says: “JUMP SCARE is a horror genre film that attempts punches above its weight, but the result is not always favorable. At a little over 90 minutes, it’s a film that can be aimless at times, as if primarily