Jason says: “Earlier in this festival, I saw a post-apocalyptic movie where the nature of the end of civilization seemed particularly incidental, and where even though the stakes were high, the whole thing seemed quite inconsequential. THE LAST DAYS (LOS
Jason says: “Sometimes, a movie spends so long introducing itself that it barely has time to do anything, which feels like the case for KUNDO: AGE OF THE RAMPANT. I think it’s because this movie wants so badly to be
Jason says: “This live-action adaptation of Yasuomi Umetsu’s animated series has apparently been in development for fifteen years, and the end result is one to make you wonder why certain projects persist and eventually get made in some form while
Jason says: “Aside from a cameo in the next year’s RA ONE, Rajnikanth’s last film was 2010’s bonkers but memorable ENDHIRAN, and it appears that the delay in his next starring role can be attributed to both health and script
Jason says: “THE KINGDOM OF DREAMS AND MADNESS is sometimes described as ‘a year in the life of Studio Ghibli’, and one which is potentially its last year as an active production house. Many fans will likely be fascinated to
To Kill a Man (Chile; 82 min.) directed by: Alejandro Fernández Almendrasstarring: Daniel Candia; Daniel Antivilo; Ariel Mateluna,; Alejandra Yañez Kyle says: “TO KILL A MAN sets up the conventions of a revenge thriller and takes us in an unexpected
Jason says: “‘Kids For Cash!’ makes a great tabloid headline – heck, it looks good on a broadsheet when something akin to the scandal that this movie documents is discovered. It may not be the best title for this particular
Kept (Japan; 71 min.) directed by: Maki Mizuistarring: Momoha; Ken Koba; Kayano; Iona; Fuzuki Jason says: “The folks who made KEPT don’t usually do this sort of thing; their names usually show up on light-hearted but bloody genre movies. The
Jason says: “Joe R. Lansdale is a writer much beloved by crime & horror fans but who has never really broken through to mainstream recognition the way contemporaries like Steven King and Clive Barker have; Jim Mickle is an independent
Kyle says: “JOURNEY TO THE WEST is a wild comedic fantasy based on a 16th century Chinese text that occupies a significant place in Chinese culture and has been adapted many times for many different media. In the New Directors/New