Chris says: “This deadpan look at The Villages, a massive retirement community in central Florida that’s also a town in itself (home to more than *130,000* residents) is one of the more entertaining documentaries I’ve watched in some time. Whereas filmmaker
Chris says: “After awhile, I couldn’t tell whether or not this was a documentary, which I guess is a good thing? That is, unless it was manipulated to get preferred results. Either way, it’s a fascinating story that mostly plays out
Diane says: “Highly recommended. GUTTERBUG was made by longtime Allston roomies and shot mostly in Allston (a section of Boston). It’s an original story of street life, addiction, and the strong pull of family. Reminded me of REQUIEM FOR A DREAM
Michael says: “I caught up with one of Bruce’s favorite film festivals virtually this year, as Lincoln Center presented New Directors/New Films. Here is the first of several films I managed to watch. “The Galacian coast featured in RED MOON
Philip says: “Of my three most influential film directors, Alfred Hitchcock taught me that beauty, complexity, and suspense can have a place in a mass-marketed film. Pedro Almodóvar taught me the importance of family, absurdity in story, and the strength
Philip says: “Lynn Whitfield and Samuel L. Jackson star in this Kasi Lemmons melodrama based in Louisiana during the 1950’s. This film would be a perfect double feature paired with LAKAWANNA BLUES. Lemmons channels a bit of Tennessee Williams as she
Philip says: “Derek Jarman is a revolutionary filmmaker. I hate to think of him in the past tense. If you don’t understand the enormous vacuum that was left from the devastation of AIDS, watch Jarman’s EDWARD II, nearly 20 years
Philip says: “CLOUDBURST literally bursts on the screen with a powerhouse career-defining performance from 80 year-old Olympia Dukakis. Dukakis and Brenda Flicker (both Academy Award winning actors) play a lesbian couple who’ve been together for 31 years. Fricker’s character, Dot