Chris says: “Super fun heist flick where Robert Redford’s self-seriousness greatly benefits from playing off the quirkier likes of George Segal, Ron Leibman and the ever-underrated Paul Sand. It has neither the grit nor the gravitas of director Peter Yates’
Chris says: “I don’t know why it took me so long to watch this. Sure, you can adequately summarize it in one or two sentences, but how it gets from point A to point B conveys Sidney Lumet’s mastery of
Michael says: “Released in 1978, COMA came from an era before thrillers had to be action movies. Set in Boston, a young resident, Dr. Susan Wheeler begins to suspect something strange is going on when a good friend lapses into
Michael says: “This cult classic was released in 1984 integrating elements of punk culture, government-hidden science fiction, and urban crime to create a clever, irreverent and fun film. I suspect if I had seen it in the mid-80’s around its
Michael says: “Based on a novel by Larry McMurtry, and adapted by the author and director Peter Bogdanovich, THE LAST PICTURE SHOW is a sad, and nostalgic look at a dying Texas town in 1951. The film follows best friends,
Michael: “I’m not really an avid sports documentary viewer, but this fascinating slice of Olympic history intrigued me greatly, and I found the film utterly fascinating to watch. In the late 50’s the Japanese women’s volleyball team began a streak
Brett says: “Some may find the concept esoteric, but the science fiction mind-screw NINE DAYS takes an approach that this viewer found unique to the genre: stacking an emotional and humanist card on top of the deck rather than letting
