Diane says: “In WE BURN LIKE THIS, Rae, a young woman living in Billings, MT, calls upon her heritage of survivorship to begin to face childhood trauma and present-day addictions. Filmmaker Alana Waksman packs a little too much thematically into
Diane says: “Director Celine Sciamma (GIRLHOOD, PORTRAIT OF A LADY ON FIRE) disappoints with a slight take on a mother-daughter relationship. Eight-year-old Nelly tries to understand her mother’s depression, especially now after the death of her grandmother. On the long
Michael says: “After seeing the great director Tsai Ming-liang’s latest film, DAYS, I decided to go back and watch his previous film, and the only of his features that I hadn’t seen, STRAY DOGS. Interestingly enough, while I was braced
Michael says: “After hearing some praise about the new streaming television series, RESERVATION DOGS, which director Harjo executive produced as well as wrote and directed for, I decided to dip into his 2009 film, BARKING WATER, before starting in on
Michael says: “Often mentioned as one of the best examples of film noir, I thought I should check out this novel adaptation from 1946. An entertaining romp, to be sure, but it doesn’t have the charisma and appeal as those
Julie says: “Even with Tim Roth and Vicki Krieps, who were both excellent, the story was just so-so and story within story ughh. There was one interesting element near the end that if one blinks they might miss and sort
Brett says: “All’s fair in love and wool. The film LAMB works as a film that’s more about the journey rather than the meaning. Even the most subtle explanation here would involve potential spoilers for the film, so it is