Chris says: “After a brief sojourn in France (THE TRUTH), director Hirokazu Kore-eda made this movie in South Korea rather than his home country of Japan, purportedly so he could work with the actor Song Kang-ho (he was most recently
Chris says: “The latest from writer/director James Gray is almost nakedly autobiographical. His 11-year-old alter ego, Paul (Banks Repeta) lives in Queens, 1980 (as Gray did), the younger son of a middle-class Jewish-American family whose grandfather (Anthony Hopkins) arrived at
Diane says: “Were hundreds of Palestinians massacred in their village of Tantura in 1948? Director Alon Schwarz has created an investigation into a prior scholarly investigation into an incident in Israel’s War of Independence. His ‘star’ is Teddy Katz, whose graduate
Cheryl says: “I had high hopes for this documentary and was really looking forward to seeing it when I finally made it to the Arlington Capitol for the last night of its 3-plus week run. “The promo promised never-before-seen live
Brett says: “Martin McDonagh paradoxically blasts the audience with deadpan in another highly ironic and character-driven film that adds to an already near-pristine catalog of acclaimed hits from the director. THE BANSHEES OF INISHERIN fits snugly into what might be
Diane says: “For viewers interested in death and dying, LAST FLIGHT HOME is a powerful film. Documentarian Ondi Timoner wasn’t expecting to make a movie—she just habitually films everything in her family’s life. But when she began to create a
Diane says: “I had shied away from this doc earlier, about a French vulcanologist couple who died in the line of work. But it is fantastic! Of course there are the mesmerizing shots of lava flow and eruptions, but also
Brett says: “Already before coming to theaters with a whole convoy of dump trucks’ worth of hype, THE WHALE is a film that, unfortunately, will fall flat for many who are expecting some sort of transformative cinematic experience. For others
Brett says: “WOMEN TALKING re-molds a world of an isolated religious community that is at least somewhat familiar to most North American audiences. It is a reshaping, reimagining of Mennonite society, even though the film is careful never to utter that
Brett says: “Be vewy, vewy quiet. I’m hunting toxic masculinity. “Following up a powerful success of THE KILLING OF TWO LOVERS, director Robert Machoian returns with THE INTEGRITY OF JOSEPH CHAMBERS, which tangles itself up into several knots of frustration,