Chris says: “Chris Wilcha, who worked as a producer on the TV version of THIS AMERICAN LIFE has numerous unfinished projects scattered throughout his career. This documentary, ostensibly about the still-hanging-on, small-town New Jersey record store he worked in as
Chris says: “When Elliot Page announced his transition, I was curious as to how this might change his acting career; his first major film role since then does suggest a new phase, returning to the small-scale, nuanced indie dramas that showcased his
Chris says: “Simon (Théodore Pellerin), a talented young performer in Montreal’s close-knit drag community is immediately smitten by Oliver (Félix Maritaud), a fellow drag queen freshly transplanted from France. They pursue a whirlwind romance while also collaborating together onstage, although their
Michael says: “It’s not an international film festival without a moody, introspective Icelandic film, and Pálmadóttir’s debut feature, SOLITUDE fits the bill beautiful, but as is often the case, such as in 2019’s riveting tale of grief, A WHITE, WHITE DAY,
Chris says: “Sifting through and reminiscing about one’s own past is easy; contextualizing these memories and enabling them to resonate with an audience is trickier, as one has likely experienced in many an autobiographical narrative or essay film (Chris Marker
Chris says: “Luke (Ben Hardy), a working-class straight bloke from Essex unwittingly wanders into a London gay club and falls hard for Aysha (Jason Patel), a drag queen, making out with him before he realizes he’s not kissing a woman.
Chris says: “If Alexander Payne’s last film, 2017’s sci-fi allegory DOWNSIZING was a big swing and a miss, his latest plays it much safer for the benefit of everyone involved. A return to smart, dyspeptic comedy, THE HOLDOVERS also reunites
Diane says: “THE HUMAN VOICE, stars Tilda Swinton, so you’re already feeling good. Made in 2020, it’s an adaptation of a play Jean Cocteau wrote for his actresses to show their full range of emotions. Swinton plays a ‘woman on
Diane says: “STRANGE WAY OF LIFE opens on a typical Old West set, as the title song is sung, in Spanish, by what sounds like a female voice but turns out to be a man singing falsetto—intimations of unconventional elements
Chris says: “June Squibb found success late in life, well into her 70s and beyond when she appeared in small but acclaimed scene-stealing roles Alexander Payne’s ABOUT SCHMIDT and NEBRASKA; in both of these and many other film and TV