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Attack the Block

Country: united_kingdom

Year: 2011

Running time: 88

IMDB: http://www.imdb.com/title/tt1478964/

Jason says: “ATTACK THE BLOCK got ridiculously high praise from genre fans at festival showings this year, and it’s not quite that good. Then, in between its US opening and its expansion to Boston, the London riots started, and talk about the movie dried up immediately (the film’s protagonists would more likely be rioters than victims), and a full North American rollout now seems unlikely. It doesn’t deserve that, either. It’s a pretty good youth/sci-fi/action/comedy flick, which is not a bad thing to be.

“The film opens on Sam (Jodie Whittaker), a nurse just getting home from a late shift who is held up by five teenagers in hoodies – Moses (John Boyega), Jerome (Leeon Jones), Dennis (Franz Drameh), Pest (Alex Esmail), and Biggz (Simon Howard). Something falling from the sky and smashing into a car allows her to get away, but the creature that emerges from it scratches Moses, so the his lads chase it down and kill it. While Sam is talking to the police, the boys take the corpse to the closest thing they can think of to an expert – pot grower Ron (Nick Frost) watches a lot of nature docs but can’t identify it – and that seems to be that. Except that there are a lot of other shooting stars falling into this London neighborhood that night, and the creatures coming out of those are bigger and meaner.

“Writer/director Joe Cornish gets the basics right with ATTACK THE BLOCK – he establishes his characters and creatures well, and then sets them against each other in a series of well-shot action sequences that increase in scale and complexity as they go along, but never exceed what one might reasonably think the characters are capable of. There’s plenty of comic relief, but it never undercuts a genuine sense of danger. What exposition is necessary is relatively painless. In theory, this stuff shouldn’t be that hard – we’ve been making movies for roughly a century, and people making silents seemed to get it – but a lot of action/adventure movies come out every year that don’t manage these basic things. This one does it pretty well, and that’s worth
commending.

“The monsters are fairly nice, as well. The design is very effective – these guys are built to be intimidating and combat-ready but also not to make the humans impossible underdogs. The simplicity of the design is quite frankly brilliant in some ways – it works well both as CGI and as practical effects, directs the audience’s attention toward the threatening teeth, and the blacker-than-black coloration both makes sense in-story as camouflage and makes up for what could otherwise be seen as shortcomings in the digital effects.

“Nice cast, too. Jodie Whittaker is arguably the only actor playing a character we can like without reservation, and she hits just the right tone with Sam, not laughing at danger at all but able to pull herself together when given a minute or two – despite a couple of scenes early that could peg her as the damsel in distress, Whittaker does a good job of not making Sam a victim. On the other side, John Boyega is the best of a pretty decent lot as Moses, eventually getting across just how much this kid can be overcompensating but also staying away from an obvious play for the audience’s sympathy. It’s a good little acting job, with the rest of the cast lining up well behind him. Nick Frost and Luke Treadaway are good calls as the comic relief, laid-back enough
to be genuinely funny without derailing the tension.

“As well as the movie is nicely shot and paced, it’s not perfect – it relies on Sam and Moses crossing paths one too many times, for instance. And while for many, this is going to be firmly in the ‘thinking too much about the “monsters-from-space” movie’ category, Cornish does seem to be at least playing around with characters being motivated by certain basic urges, whether to mate or to defend the tribe, but the way he doesn’t do much more than bat them around can be a bit of a let-down, like he wants to make a point about this urban tribalism but can’t quite articulate it.

“That’s picky, and I might not even be thinking in that direction if the movie wasn’t so well put together mechanically. It’s an enjoyable, satisfying sci-fi action movie, good enough to be notable on that level and at least aspire to the next one. 4 cats

“Seen 20 August 2011 in AMC Boston Common #13 (first-run, digital projection)”

 

 

Brett says: “The secret’s out by now. ATTACK THE BLOCK is a 2011 film that married sci-fi/horror and hip hop urban culture of Britain. This unusual combo is the marquee draw of the film, so the premise speaks for itself. Aliens invade an urban block on Guy Fawkes Night (fireworks galore) as a band of juvenile delinquents conduct a mid-evening robbery.

“Seriousness is thrown aside here as the film seems partially a modern homage to the kids-in-peril appeal of THE GOONIES, but as with most modern flicks in this similar vein, it pipes in loose profanity, drugs, and modern slang/lingo for the ‘cool’ effect. For some adults, the cringe factor of taking these liberties a bit too far probably reflects much of the same when now-classic kids pack flicks were probably somewhat stigmatized when young actors would pipe in a swear in the 1980s that would ‘scandalously’ take a movie from ‘G’ to ‘PG.’ As such, the sensibilities of modern parents and what they allow teens and pre-teens to watch likely play a role in how widely distributed a movie like this could (and can) reach.
“It’s a film that’s got some great, fun and eccentric one-liners, and with some adjustments to fairly arbitrary ‘edgy for edgy’s sake’ moments that could trim this away from the ‘R’ rating down to the more widely accepted PG-13 range, ATTACK THE BLOCK likely could’ve had a more lucrative box office draw.
“Many of the cheesy young people adventure film tropes are here, sometimes cleverly disguised or re-written to match the absurdity of the premise. The movie knows what it is and doesn’t overreach. It’s an adrenaline kick and a witty script designed to tap into laughs and thrills at the same time. Not to be taken over-seriously, it’s nice to see these attempts at reinventing GOONIES-style romps and keeping that familiar spirit from several decades ago on life support.
“NOTE: Though it’s been mentioned, this film is not THE GOONIES or related to it or its effectiveness other than being in the same vein of a band of children on a wacky, imaginative adventure that also is considered slightly ‘edgy’ for its time in its use of kids. Films like STAND BY ME or THE SANDLOT might just as easily be mentioned as a source of very loose comparison.
“A fairly harmless romp that doesn’t overreach.”
3 cats, but at least two of those cats are probably on something.”

 

 

 

Attack the Block

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