Michael says: “After seeing the great director Tsai Ming-liang’s latest film, DAYS, I decided to go back and watch his previous film, and the only of his features that I hadn’t seen, STRAY DOGS. Interestingly enough, while I was braced
Chris says: “Tsai Ming-liang’s a filmmaker who tends to make the same kind of picture over and over, like Yasujiro Ozu (to name one of his precursors) or Hong Sang-Soo (a contemporary.) This isn’t a deterrent, for nearly three decades
Michael says: “When Chris mentioned recently that he caught Tsai Ming-liang’s debut feature, REBELS OF THE NEON GOD, I realized that I too had never gone back to watch this film from one of my favorite directors. What I perhaps
Bruce says: “A prerequisite to seeing this film is knowledge of Tsai Ming-laing’s films and his muse and leading man in all of his films, Lee Kang-sheng. The two men are lovers, spiritually and emotionally. They work together and live
Michael says: “Tsai Ming-Liang’s THE WAYWARD CLOUD, is a sequel of sorts to the brilliant WHAT TIME IS IT THERE? It was a brilliant film, but definitely not quite what I was expecting. THE WAYWARD CLOUD is a sweetly subversive,
Bruce says: “In my opinion, there is no director making more visually stunning films than Tsai Ming-liang. I DON’T WANT TO SLEEP ALONE is a smashing example of a true master at work . Invariably, each scene in his new
Bruce says: “A college-aged boy is on the up escalator going to a big department store when he is spotted by a girl he hasn’t seen in two years who is on the adjacent down escalator. They begin talking and