Chris says: “Production design’s less invasive and conceptually it’s far more theoretical than what came before, but it’s still a Peter Strickland film, one centered on desire, tenacity, taboo and general weirdness. Headier thrills for sure, but also a tad
Brett says: “While I tend to label this as a “must watch” it might be more accurately described as “I am so fortunate to know this movie exists.” Not a piece that will tickle everyone’s fancy, director of the strange
Jason says: “It’s tempting to interpret the characters’ behavior in THE DUKE OF BURGUNDY in terms of closets and shame; it’s sort of the default for this period and would probably be a fascinating way to play it. Peter Strickland
Jason says: “BERBERIAN SOUND STUDIO brought a film called AMER to mind, even though the two are spectacularly different in the way they pay tribute to Italian giallo movies. What they have in common is a deep affection for the