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Bruce says: “According to Cartier-Bresson photography is all about geometry and structure. During the course of the film, Cartier-Bresson looks at his photos with great pleasure and affection and often explains their cultural context to the camera. His photographs often

Bruce says: “As Andrew Berends describes his film, ‘The primary objective of THE BLOOD OF MY BROTHER is to illustrate the infinite ripples of grief that follow the tragic killing of even just one person.’ When Ra’ad, an Iraqi photographer