Brett says: “Many know director Catherine Breillat for being provocative in both subject matter and delivery, and LAST SUMMER is her latest in a library of films that generates discussion well after the end credits roll. Anne is a lawyer
Michael says: “The latest from Catherine Breillat is once again a fascinating fictional version of Breillat’s actual life. As in SEX IS COMEDY, where Breillat recreated the filming of a particular scene from FAT GIRL, ABUSE OF WEAKNESS stars Isabelle
Jason says: “I don’t think there have been any musical animated adaptations of Bluebeard, and the reason why is pretty obvious: Once you remove the sex and violence to make it family-friendly, there isn’t much left at all. Surprisingly, given
Michael says: “A new Catherine Breillat film is always something that sparks my interest, and in her latest film, the first after the director endured a serious stroke, Breillat tries her hand at a period piece… a true costume drama
Michael says: “As a follow-up to the controversial FAT GIRL, Breillat serves up something highly original and self-reflexive. At the core of FAT GIRL’s controversy is a 12 – 20 minutes (depending on how you measure it) seduction/sex scene involving
Bruce says: “It is hard to say whether Catherine Breillat knows what she is doing or not. Her message is, I think, both blatant and encrypted. For a while I thought I was watching a feminist hate poem. Slowly my
Laura says: “Breillat succeeds in presenting a complex relationship between the two sisters, a love/hate relationship at an age when parents are naturally distanced. While Elena’s taunts are cutting, her character nonetheless remains sympathetic as she chooses to ignore Fernando’s