Bruce says: “I’m a big Mendoza fan. His first film, THE MASSEUR, screened at my first Toronto Film Festival. Since then Mendoza has made wonderful films such as LOLA, FOSTER CHILD, SERBIS and SLINGSHOT; each of these films depict a
Bruce says: “Ever since I first saw THE MASSEUR, a rough but auspicious directorial debut, I’ve been a huge Brillante Mendoza fan. This prolific director, a winner of the 2009 director’s award at Cannes for his prior film – the sensation stirring
Bruce says: “Brillante Mendoza is rapidly becoming one of my favorite living directors. Mendoza has cleverly branded his version of social realism. His Filipino kitchen sink style and hand-held camerawork are not for everyone but they are essential components in
Bruce says: “Brillante Mendoza completed six feature films within a three year period, 2005-2007. He is working at a speed not seen since the salad days of Fassbinder although, age-wise, Mendoza (age 48) is about two decades behind Fassbinder (who
Bruce says: “Brillante Mendoza, director of MASSEUR which I saw at the 2004 Toronto International Film Festival, has come a long way in a few years. He still uses many untrained actors although the four leads in SLINGSHOT are actors
Bruce says: “Filmed in video in only eight days THE MASSEUR tells the story of workers in the Manila sex industry, in particular an all male massage parlor. Director Brillante Mendoza makes a wise choice in telling the story of