Thom says: “After having found FATHER & SON so provocative I decided to delve further into the Sokurov cannon. Hopefully this film will be a great companion piece to DOWNFALL, which I hope to see in the next two weeks.
Bruce says “As he did with the Hermitage in RUSSIAN ARK, Sokurov takes on the Louvre mixing art, history and folklore. In spite of meandering – as a Sokurov film is wont to do – the focus ultimately settles on
Bruce says: “Operatic diva Galina Vishnevskaya plays against type as Alexandra Nikolaevna, an aged Russian grandmother who travels to the front lines in Chechnya to see her grandson whom she loves dearly. As the film begins we see the back
Bruce says: “FATHER AND SON opens with a close-up of two men, one holding the other. There are no immediate clues but as the scene unfolds we learn that it is a father and his son, who is having a
Ivy says: “I watched RUSSIAN ARK a few months ago when Ned and I were deciding if we were brave enough to play a Sukarov film for an entire week. He has been compared to Tarkovsky but doesn’t have the