Bruce says: “A love affair that evolved into a friendship spanning five decades is the best way to describe the relationship between Swedish director Ingmar Bergman and Norwegian actress Liv Ullmann. They met during the filming of Bergman’s PERSONA on
Kyle says: “THE KIRISHIMA THING received its New York Premiere at the Asian Film Festival. There is no jury, no prize is given, the film is not a commodity in competition. Nonetheless this film resonated more strongly with me, stayed
Kyle says: “The North American Premiere of JUVENILE OFFENDER provided one of the surprisingly touching experiences of the New York Asian Film Festival. It is a deceptively simple but emotionally resonant story about a teenage boy without family tending toward
Bruce says: “Growing up in Warsaw film director Tomasz Wasilewski was exposed to the films of Krzysztof Kieslowski at an early age. While he does not see films such as THE DECALOGUE as a direct influence, he does feel that
Kyle says: “DUCH, MASTER OF THE FORGES OF HELL was one of the features of the recent series titled ‘Old Ghosts, New Dreams: The Emerging Cambodian Cinema’ shown at the Film Society of Lincoln Center from April 19 to 25,
Bruce says: “For most film buffs CASTING BY is essential fare. The film’s primary focus is the amazing, serendipitous casting career of Marion Dougherty and the vast influence she has had in the film industry both on the east coast
Bruce says: “Shane Bitney Crone had a difficult childhood, gay in Montana. His mother, always loving and supportive, did her best to protect Shane from the living hell of bullying and threats. He was suicidal. He would get panic attacks
Bruce says: “Director Christian Mungiu is on the record for stating BEYOND THE HILLS is about extremism and the harm it does to society. That is an answer to those who think the film is only about religion. His acclaimed
Kyle says: “AT BERKELEY and THE LAST OF THE UNJUST share little in common aside from both being Main Slate screenings of the 51st New York Film Festival, both having very long running times, and both being sharply revealing contemporary
Chris says: “*Minor spoilers ahead* “Though not a flawless film, Richard Linklater’s BEFORE SUNRISE concluded almost perfectly: its open-endedness exuded a lovely power as it revisited all the spaces its two leads Jesse (Ethan Hawke) and Celine (Julie Delpy) inhabited