Beth Ca says: “My goodness! This is a wonderful film! It’s amazingly beautiful and emotional!! I have to stop using exclamation points!!!! I’ve seen so many films this year I think are my favorite, but this one has stampeded past
Michael says: “Both thoughtful and whimsical, Arvin Chen’s WILL YOU STILL LOVE ME TOMORROW is a poignant exploration of a married couple’s domestic struggle while trying to have a child, when the husband realizes he cannot deny his homosexuality. Weichung
Thom says: “Coming so close on the heels of my viewing of the PARADISE LOST trilogy: THE CHILD MURDERS AT ROBIN HOOD HILLS, REVELATIONS, & PURGATORY, I saw this the week it opened in San Francisco. With a big heft
Jason says: “WE ARE WHAT WE ARE makes a heck of a case for the much-maligned idea of remaking a foreign film in English. Though the original Mexican version was much-beloved by many (I thought it had a great opening
Kyle says: “AT BERKELEY and THE LAST OF THE UNJUST share little in common aside from both being Main Slate screenings of the 51st New York Film Festival, both having very long running times, and both being sharply revealing contemporary
Jason says: “I feel vaguely like we’ve been taking Yoshihiro Nakamura for granted. Though he got his start writing horror movies for the likes of Hideo Nakata, he’s spent the last few years on a string of off-beat but surprisingly
Jason says: “THE SQUARE doesn’t necessarily look like much as it starts; just some people who happened to have a camera in the right place at the right time. Make no mistake; that is an incredibly useful thing for a
Thom says: ‘Perhaps I shouldn’t have been so surprised at how much I loved this film but until the starting credits rolled I had completely forgotten that the great Stephen Frears was the director. Over the years he’s been responsible
TC says: “To outsiders, Santa Clarita, California looks like a really great place to live. It is less than an hour from Los Angeles, is ranked as #18 among the Top 100 places to live by Money magazine, and sits
Chris says: “‘Older’ is a They Might Be Giants song whose primary lyric incessantly proclaims ‘You’re older than you’ve ever been / and now you’re getting older,’ baldly and astutely stating a fact that most of us would rather not