Kyle says: “The murky moral morass of murderous ages-old conflict between Jews and Arabs, and the seemingly never-ro-end war been Israel and Palestine, have brought us two of the year’s best films. The first is OMAR, about which Jason wrote
Kyle says: “BENDS is the opening title of the seventh season of ContemporAsian screenings at the Museum of Modern Art in New York. Most films offer so little that it is tempting to go overboard in praising something as wonderful
Jason says: “I wonder if there’s something about making a movie about popular music that puts filmmakers into a zone where they don’t need to work in quite so straight a line – they’re already thinking in terms of coming
Bruce says: “ARCHIPELAGO begins with a plein air painter working on a canvas. The painting is abstract and is more about mood and feeling than it is about recording facts. Christopher (Christopher Baker), the painter, is only a peripheral character
Jason says: “Sometimes you see a movie and don’t realize what it was missing until decades later, when someone else tries something similar but with an added extra ingredient. Such is the case with THE 100 YEAR-OLD MAN WHO CLIMBED
Beth Ca says: “My goodness! This is a wonderful film! It’s amazingly beautiful and emotional!! I have to stop using exclamation points!!!! I’ve seen so many films this year I think are my favorite, but this one has stampeded past
Michael says: “Both thoughtful and whimsical, Arvin Chen’s WILL YOU STILL LOVE ME TOMORROW is a poignant exploration of a married couple’s domestic struggle while trying to have a child, when the husband realizes he cannot deny his homosexuality. Weichung
Thom says: “Coming so close on the heels of my viewing of the PARADISE LOST trilogy: THE CHILD MURDERS AT ROBIN HOOD HILLS, REVELATIONS, & PURGATORY, I saw this the week it opened in San Francisco. With a big heft
Jason says: “WE ARE WHAT WE ARE makes a heck of a case for the much-maligned idea of remaking a foreign film in English. Though the original Mexican version was much-beloved by many (I thought it had a great opening
Kyle says: “AT BERKELEY and THE LAST OF THE UNJUST share little in common aside from both being Main Slate screenings of the 51st New York Film Festival, both having very long running times, and both being sharply revealing contemporary