Diane says: “This is my 5th film ‘at’ Sundance. “David Zonana’s sophomore feature as writer/director shows a lot of talent. He said in his intro that he’s been able to find his style in this second film. “Luís, an Indigenous
Michael says: “After the razor sharp humor and directorial hand Seligman displayed in her debut feature, SHIVA BABY, coupled with the comic luminescence of lead actor Rachel Sennott, I was very eager to see what they would come up with
Jeff says: “JETHICA’s a terrific and clever mumblecore ghost story. It’s tone is amiable, with no gore and only one jump scare. Although it’s budget is tight, no expense is spared on cinematography, taking full advantage of New Mexico’s expansive vistas.
Michael says: “A coming-of-age story simmering with sexual tension on an island in the Adriatic sea is the backdrop for this feature-length directorial debut by Antoneta Alamat Kusijanovic. The film opens with some great footage of teenaged Julia spear-fishing with
Michael says: “While not quite as accomplished as THE VAST OF NIGHT, this nostalgia-focused thriller set in 1963 hits some similar marks, and surprised me at its cleverness and strong writing, after a slightly awkward start. The budget is clearly
Chris says: “BOYHOOD condensed to ninety minutes but with four different actors instead of one (because it wasn’t shot over a dozen years.) A sort of autobiography relayed in carefully chosen fragments with plainspoken-verging-on-stilted third-person narration filling in the gaps.
Diane says: “Do you remember the New Zealand volcano eruption in 2018? The volcano island was a tourist attraction and 40 people were unwittingly visiting when it erupted violently, resulting in many casualties. The doc’s title is the worst thing
Michael says: “Is this documentary a love letter to the small Michigan town of Bad Axe? Or is it a love letter to director David Siev’s family? And in response to the couple of critics I read taking Siev to
Chris says: “More than a modern-day update of Robert Bresson’s AU HAZARD BALTHAZAR (a film about the world’s kindness and cruelty as inflicted upon a donkey), Jerzy Skolimowski’s Cannes Jury Prize winner stylistically is a world away from the earlier
Michael says: “I’m not sure why I elected to watch Sr. a biographical documentary about Robert Downey Sr., conceived and powered by his son, Robert Downey, Jr. I’m not really a fan of Jr., but I didn’t know a whole