Jason says: “This movie has an exclamation point in its title, and putting that together with it being from India yields a certain set of expectations – something flashy that jumps from tone to tone, at least some of them
Jason says: “I skipped DEATHGASM at Independent Film Festival Boston figuring it would play Fantasia while other things on the IFFBoston schedule might not otherwise play theaters, and the gambit paid off. Not just because the movie played, but also
Jason says: “Even the biggest zombie movies tend to be pretty simple things, and I wouldn’t necessarily say DEADMAN INFERNO (aka Z ISLAND) was exactly complicated. It does have a fair amount more going on than is typical for this
Jason says: “I’m mildly curious how big a part a secondary character had in the original book; after an amusing introduction (and fairly high billing), he gets streamlined right in the background. It’s the right choice – this is a
Jason says: “The comedic documentary is not exactly rare, but it is generally reserved for people famous for being funny – after all, if something is funny, it is seldom considered important enough for a film that gets any sort
Jason says: “Here in Boston, we’ve recently been threatened with hosting the Olympics, and though the recent experience of the Big Dig should really have the whole city threatening to string up whoever first thought this was a good idea,
Jason says: “There is a little bit of Korean text at the start and end of C’EST SI BON left untranslated (at least on the local theater’s DCP) that likely says something along the lines of it being based upon
Jason says: “CATCH ME DADDY opens with a poem/folk tale about its Yorkshire setting, fitting enough but a bit surprising, as the story is driven by people and traditions that arrived in the UK from elsewhere. On the other hand,
Jason says: “If BLOODY KNUCKLES filmmaker Matt O’Mahoney knows one thing, it’s that measured calls for free speech are kind of missing the point. You can’t just say that offensive media has value, you have to demonstrate it, so it’s
Jason says: “When making a film meant to be eerie and still, greatness is almost the baseline requirement for the cinematography. Fortunately, Thailand seems to be unusually well stocked with both great shooters and things for them to point a