Laks says: “Science fiction about extraterrestrial encounters often feel exclusively produced within US and UK cinema. A foray into the genre from a Moroccan writer and director immediately got my attention. The film opens within a opulent palatial mansion as it
Michael says: “I learned a lot in this very even-handed, information packed doc about the Supreme Court case to overturn Affirmative Action and the subtleties and conflicting belief around discrimination, particularly around Asian-Americans admissions at Harvard University. There were times
Michael says: “After making a splash with their debut film, WE ARE ALL GOING TO THE WORLD’S FAIR, writer/director Jane Schoenbrun follows-up with a creative, thought-provoking, and devastating examination of the struggle between our outer and inner selves through the
Michael says: “Fans of the 1998 Canadian film, SMOKE SIGNALS, will most appreciate this raunchy, irreverent, mockumentary about one minor cast member’s attempt to mount a sequel. Cody Lightning was a young boy when he portrayed Young Victor Joseph, a
Jeff says: “It’s 1987, and Robin (Vaughan Murrae) is the new kid, an American recently settled into their new home in Edmonton, Alberta. It’s their first day of high school, and they join a gym class in progress, where a
Brett says: “HOW TO HAVE SEX goes full throttle in providing what could be described as a neo-naturalist depiction, centered on the trendy Spring Break or summer vacation phenomena among post-high school graduates eager to leap into the benefits of adulthood
Chris says: “Errol Morris films live and die by how engaging the interrogated subject is, and mystery writer/ex-spy John le Carré/David Cornwell is entertaining in an unassuming Gore Vidal sort of way. However, in a new twist, Morris also lets
Diane says: “A short but meaty film by Hong Sang-soo: in a suburb of Seoul, a novelist—whose best books may be behind her—visits an old colleague who has given up writing, and serendipitously encounters a filmmaker who’s happy to have
Chris says: “With this unconventional documentary, transgender writer/philosopher/feminist Paul B. Preciado doesn’t so much take Virginia Woolf’s Orlando back from the 1992 Sally Potter film starring Tilda Swinton in the title role as he comprehensively shows how her story about
Brett says: “Director Carolina Markowicz follows 2022’s genre-bending plot from CHARCOAL with yet another single-word title film. Similar to that first feature, this film allows audiences to interpret the ominous title to apply to quite a few different plot circumstances. The