Chris says: “Chris Wilcha, who worked as a producer on the TV version of THIS AMERICAN LIFE has numerous unfinished projects scattered throughout his career. This documentary, ostensibly about the still-hanging-on, small-town New Jersey record store he worked in as
Chris says: “When Elliot Page announced his transition, I was curious as to how this might change his acting career; his first major film role since then does suggest a new phase, returning to the small-scale, nuanced indie dramas that showcased his
Michael says: “It’s not an international film festival without a moody, introspective Icelandic film, and Pálmadóttir’s debut feature, SOLITUDE fits the bill beautiful, but as is often the case, such as in 2019’s riveting tale of grief, A WHITE, WHITE DAY,
Julie says: “It had been a long day, having arrived at the Coolidge at 4:30 pm for MY OWN NORMAL, then seeing the heart string tugging SING SING and most of the Q&A for that. As I was almost exiting
Val says: “The anthropomorphizing of death is not a new storytelling concept. But Daina Oniunas-Pusic’s story isn’t called ‘Death,’ it’s called ‘TUESDAY and in this film the talking death-parrot is a foil to her. It felt like a new take
Laks says: “Science fiction about extraterrestrial encounters often feel exclusively produced within US and UK cinema. A foray into the genre from a Moroccan writer and director immediately got my attention. The film opens within a opulent palatial mansion as it
Michael says: “I learned a lot in this very even-handed, information packed doc about the Supreme Court case to overturn Affirmative Action and the subtleties and conflicting belief around discrimination, particularly around Asian-Americans admissions at Harvard University. There were times
Michael says: “After making a splash with their debut film, WE ARE ALL GOING TO THE WORLD’S FAIR, writer/director Jane Schoenbrun follows-up with a creative, thought-provoking, and devastating examination of the struggle between our outer and inner selves through the
Michael says: “Fans of the 1998 Canadian film, SMOKE SIGNALS, will most appreciate this raunchy, irreverent, mockumentary about one minor cast member’s attempt to mount a sequel. Cody Lightning was a young boy when he portrayed Young Victor Joseph, a
Michael says: “Hong Sang-soo is a singular and fascinating filmmaker. He writes, directs, produces, edits and often composes the scores to his films, and releases two to three every year. IN OUR DAY is one of this 2024 releases, and